Calendar

Jun
24
Sun
MASTERPIECES OF THE 14th CENTURY. The worksite of Giotto, Spoleto and the Apennines @ Museo Diocesano - Basilica di Sant’Eufemia - Museo Nazionale del Ducato
Jun 24 – Nov 4 all-day
<!--:it-->CAPOLAVORI DEL TRECENTO. Il cantiere di Giotto, Spoleto e l’Appennino<!--:--><!--:en-->MASTERPIECES OF THE 14th CENTURY. The worksite of Giotto, Spoleto and the Apennines<!--:--> @ Museo Diocesano - Basilica di Sant’Eufemia - Museo Nazionale del Ducato | Spoleto | Umbria | Italia

A great century for a great exhibition in Umbria.

Masterpieces of the 14th century. The worksite of Giotto, Spoleto and the Apennines, curated by Vittoria Garibaldi and Alessandro Delpriori, will be held from 24 June to 4 November 2018 in the towns of Trevi, Montefalco, Spoleto and Scheggino.

The exhibition boasts an exhibition of about 70 gold-bottomed paintings on wood, polychrome wooden sculptures and miniatures, which tell the environmental wonder of the central Apennines and the historical, artistic, civil and socio-religious civilization in Italy in the early fourteenth century.

There are four exhibition venues: in Trevi the Museum of St. Francis; in Spoleto the Diocesan Museum – Basilica of St. Euphemia and the National Museum of the Duchy; in Montefalco the Museum Complex of St. Francis. At the Spazio Arte Valcasana in Scheggino it will be possible to experience a choral, exciting overview of the churches, hermitages and abbeys in Umbria, Marche, Abruzzo and Lazio where the artists influenced by Giotto worked between the end of the thirteenth century and the beginning of the fourteenth century, connected through organized itineraries that will allow you to discover enchanting places and works of art.

The exhibition, organized by Civita Mostre and Sistema Museo, is promoted by the municipalities of Trevi, Montefalco, Spoleto and Scheggino, the Polo Museale Umbria, the Superintendence of Archaeology, Fine Arts and Landscape of Umbria, Umbria Region, The Archdiocese of Spoleto-Norcia and the Associazione Rocca Albornoziana of Spoleto, with the contribution of Gal Valle Umbra and Sibillini, ATI 3 Umbria, VUS COM Spa, Fondazione Cassa di Risparmio di Foligno, Fondazione Cassa di Risparmio di Spoleto.

The success, in the green heart of Italy, of Giotto’s revolutionary lesson and of the amazing virtuosity of the Sienese leaders Pietro Lorenzetti and Simone Martini, will be told in the exhibition through a constellation of artists, often anonymous, who became interpreters of the deepest and truest soul of the Apennines, interpreting emotions of faith and sweetness, painted with an intense pictorial language, and a surprising technical teaching. It will be possible to see wonderful masterpieces preserved in museums and collections of great prestige, such as the Cini Foundation in Venice, the Poldi Pezzoli Museum in Milan, the Alana Collection in Newark (USA).

Visitors to these exhibitions will experience the privilege of admiring works made visible for the first time to the general public. We remember the two amazing raredos exhibited in the representative apartment of His Holiness the Pope, both coming from Montefalco, restored for the occasion by the masterful laboratories of the Vatican Museums; or the extraordinary reunion of the Triptych with the Coronation of the Virgin by the Master of Cesi and the Crucifix with Christus triumphans, both created for the monastery of Santa Maria della Stella in Spoleto, now preserved in the Musée Marmottan Monet in Paris and the Museum of the Duchy of Spoleto. For the first time, since the beginning of the nineteenth century, they will come back together.

Visiting the exhibition sites, and the places in the territory, it will be possible to enter a medieval artist’s workshop, to understand the virtuous and feverish commitment in realizing gold funds, sculptures, miniatures, goldsmiths, frescoes, in a kaleidoscope of refined and original personalities who lived their point of reference in one of the artistic capitals of medieval Italy, the ducal city of Spoleto: the Master of Le Palazze the Master of St. Alò, the Master of San Felice di Giano, the Master of Cesi, the Master of San Ponziano, the Master of the Cross of Trevi, the Master of the Cross of Visso, the Master of Fossa.

An exhibition to get to know and be amazed.

The scientific committee of the exhibition is composed of: Lucia Arbace, Guido Cornini, Andrea De Marchi, Giovanni Luca Delogu, Marica Mercalli, Stefania Nardicchi, Antonio Paolucci, Marco Pierini, Mario Scalini, Lisa Zanni.

THE EXHIBITION VENUES IN SPOLETO

Diocesan Museum and Basilica of St. Euphemia

The Diocesan Museum of Spoleto preserves many works that testify the art of painting and wood carving in this area from the half of the thirteenth century until the fifties of the following century. The exhibition section, which features masterpieces by the Master of Cesi and the Master of San Felice di Giano, is the completion of the exhibition in the church of San Francesco in Trevi. Of particular importance are the Triptych with the Coronation of the Virgin by the Master of Cesi from the Marmottan Monet Museum in Paris and the Antependium by the Master of San Felice di Giano from the National Gallery of Umbria. It will be possible to investigate in detail the relationship between wood carving and polychromy, so important for the 13th century Spoleto, in order to relate sculptors and painters who could be in the same workshop, if not match even in the same person.

Exhibition official website: www.capolavorideltrecento.it

Jun
28
Thu
CARATTERI DI TESTA installation by Giacomo Ramaccini @ Rocca Albornoziana - Museo Nazionale del Ducato
Jun 28 – Sep 2 all-day
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Thursday 28 June at 12 at the Museo nazionale del Ducato di Spoleto – Rocca Albornoz, the Caratteri di testa installation by Giacomo Ramaccini will be inaugurated.

The works aims at investigating the circularity of the route from the symbol of reality to the reality of the symbol.

Ramaccini (Spoleto 1989) graduated in Scenography at the Accademia di Belle Arti “Pietro Vannucci” in Perugia. Caratteri di testa was first presented at Palazzo Collicola Arti Visive in Spoleto, in the frame of Aeroporto di Spoleto. Nuove rotte artistiche con libere destinazioni.

Director Paola Mercurelli Salari will introduce the installation at the presence of the artist.

Spoleto 1959. The Second Festival of Two Worlds – Exhibition @ Archivio di Stato - Sez. Spoleto
Jun 28 – Sep 20 all-day

As part of the sixty-first edition of the Festival dei Due Mondi, Thursday, June 28, 2018, from 9:30 am, the headquarters of the local Section of the State Archives (Largo Ermini) will host the opening of an exhibition, the presentation of a book and a conference on the theme: Spoleto 1959. The Second Festival of Two Worlds. The initiative takes place in collaboration with Umbria’s Order of Journalists and under the patronage of the Municipality of Spoleto, the Festival dei Due Mondi Foundation, the Polo Museale dell’Umbria, Rocca Albornoz – Museum of the Duchy of Spoleto and Amici di Spoleto association. Institutional greetings will be given by Luigi Rambotti, Director of the State Archives of Perugia, Umberto De Augustinis, Mayor of Spoleto and President of the Festival dei Due Mondi Foundation, and Giorgio Ferrara, Artistic Director of the Festival of Two Words. Roberto Conticelli, President of Umbria’s Order of Journalists, Paola Mercurelli Salari, Director of Rocca Albornoz-Museo del Ducato di Spoleto (Polo Museale dell’Umbria) and Rosaria Mencarelli, Collegio dei garanti Fondazione Polo del ‘900 (Turin) and Director of the Abruzzo ABAP Superintendence will also give a speech.

The exhibition Spoleto 1959, the second Festival of Two Worlds, organized by the Spoleto Section of the State Archives, features original photographs, archival documents, articles released on the other side of the Atlantic, in Italy and in other European countries. The exhibition will be open until September 20, 2018.

Through a conference, a book and an exhibition, extraordinary moments in the history of the city will be retraced in order to reread the origins of the event, understand today’s heritage and trace future scenarios.

Jun
30
Sat
ANDREA PACANOWSKI All’infuori di me – Exhibition @ Palazzo Collicola Arti Visive
Jun 30 – Oct 7 all-day
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The opening of Andrea Pacanowski’s exhibition, will take place on SATURDAY 30 JUNE at 12.00 at Palazzo Collicola Visual Arts. The exhibition is curated by Gianluca Marziani and included in the Festival Of Two Worlds’ official programme.

The Press Conference will be at 11.00 at the Piano Nobile’s gallery.

Who has not tried, at least once, a puzzle of hundreds of pieces? You will remember the images that usually make up the mosaic: long field landscapes and panoramic visions are generally the winners, with a higher share for unspoiled natures, cultural spots and human crowds. The puzzle inadvertently encloses the sense of today’s image: the disintegration of an order to be reassembled looks like the transitions between analog and digital, the transfers between device and print, the links between high and low definition… the analogical nature of the puzzle touches the close-up and depths of field, the tonal stirrups between areas of color, up to integrating the glitch (the error of position of the dowel) as a further exploratory possibility.

Andrea Pacanowski brings to Spoleto fifteen photographic works. All’infuori di me (Outside Of Me) gathers human masses, bodies in military order, people in uniform, ritual groups. They are collective patterns that come, in particular, from the religious assembly outside, from the places of aggregation of the most widespread monotheistic cults. The photos enclose pieces of humanity in a geographical frame that plays with pictorial abstraction and iconography of the web, creating an aesthetic short circuit of high workmanship, maintaining the purity of analog as a camouflage potential (simulating digital techniques through analog talent is a key step in contemporary photography). Those bodies concern the anxieties of our time, the boundaries of freedom, the need for spiritual guidance, the search for sharing, themes by the historical importance and political significance which are central in such a narcissistic era, narrated by Pacanowski with aesthetic ability and conceptual intelligence.

A photograph with a pictorial result, modulated by rhythms and grids, where colour becomes plastic structure, where rhythm compresses the internal dynamism of the image. Through the optical ambiguity of the puzzle, Pacanowski challenges the audience to the mobile vision back and forth, to define the focus, to dissolve the retinal ambiguities that the images contain. The works are photographic puzzles that break a number of certainties on the uses and abuses of digital. According to the author, each shot is a unique journey by the analogical sense, a slow immersion that requires technical knowledge, invention, the overturning of apparently immobile rules. The final image is the result of shots, combinations, stage lights and other tricks that Pacanowsky has refined in the context of Fashion, his original profession, a space of technical growth but also of robotic, emotionless perfectionism. Pacanowski felt the limit of the set and post-production, of digital as a glossy dictatorship: here he challanges the electronic staging, preferring the slow codes of an interior habitus, where the photographed skin turns into a complex geography where colours and tonalities define the invisible, where scratches and signs amplify the iconographic energy. His actions are sound trails that map out sinuous harmonies, localize details, expand emotional signals behind a body. Photography here takes the slow rhythm of the brush, revealing a metaphysical quality that leads us into a mysterious, ascetic, fatally spiritual ritual.
The Spoleto exhibition thus enters into the heart of the monotheistic cults: Christianity, Judaism, Islam. A photographic journey that tells the spontaneous methods of the great gatherings, according to an approach that captures the gravitational balances, the chromatic scales, the syncretic rhythms, the collective harmonies. An analysis to show the ethical value of each religion, the possible coexistence of diversity, the importance of dialogue as a cornerstone of a universal refounding. Pacanowski’s photography reaffirms all this, and does so with an aesthetic energy that breaks the judgment, cancelling the terms of superiority and inferiority, the dangerous personalisms, the extremist obsessions. Here we speak of harmony and freedom, of men and women who walk on the same planet, breathing the same oxygen, pursuing the same dreams, in search of that indestructible thing that everywhere is called Love.

It is photography that takes up its analogic essence, but with the best that printing and media can offer. It is not a return to the origins but the origin of a possible continuity, it is the resistance of the human factor that orchestrates fragments of universal beauty. A beauty that speaks to us of religions and syncretism, that enters the warm heart of the planet through a door of liberation of contents. Andrea Pacanowski invites us inside his rhythmic weavings, inside the multiplications of every single diversity, inside the chromatic noise of a vision that involves each of us. Because, as the title says, outside of me there are always all the others.

www.andreapacanowski.it

The exhibition ends on Sunday 7 October 2018
Info: www.palazzocollicola.it https://www.facebook.com/PALAZZOCOLLICOLA
Palazzo Collicola: info@palazzocollicola.it
Sistema Museo: ufficiostampa@sistemamuseo.it

EUGENE LEMAY Ghost Witness Shadow – Exhibition @ Palazzo Collicola Arti Visive
Jun 30 – Oct 7 all-day
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EUGENE LEMAY – GHOST WITNESS SHADOW
curated by Gianluca Marziani

The opening of EUGENE LEMAY exhibition, is scheduled for SATURDAY 30 JUNE at 12:00 in Palazzo Collicola Visual Arts, Spoleto. The exhibition is curated by Gianluca Marziani and included in the Festival of Two Worlds’ official programme.

The Press Conference is scheduled for 11:00 at the Piano Nobile.

The Piano Nobile at Palazzo Collicola Arti Visive opens its 18th-century wings to host a new artist’s project, designed in a “sartorial” way on the domestic model of the rooms. The approach with Eugene Lemay follows the usual rules of a soft, inclusive insertion, re-created with camouflage ways that blend into the ancient without substantial changes.

Integration is the right word to capture the embrace between the nature of a noble apartment and the electrical energy of a contemporary artist. On the one hand the opulent splendour of the place, on the other the metaphorical power of Lemay, his social criticism, the monolithic harshness of the works. The apparent contrast is thus transformed into a fluid integration: now the never-aggressive fullness of the place, now the expressive essence of an art that attacks the eye, loading the rooms with an invisible, yet dense magnetism.

American Eugene Lemay (1960, Grand Rapids, MI) returns to Italy after his personal exhibition in Rome at the MACRO Mattatoio (curated by Micol Di Veroli, February – April 2015). Dimensions of Dialogue was the title of that exhibition, a phrase that well encapsulates Lemay’s ethical conscience, the political and militant nature of his work. The works at Palazzo Collicola are the stations of a journey in the pain of war, in the hypocrisy of politics, in the phobia and terror that blinds, in the wounds of the flesh and those of the heart. The American artist knows the noise of bombs, the screech of lethal weapons, the smell of pouring blood. At age 13 he moved from Michigan to Israel, passing his adolescence in a kibbutz, then becoming a voluntary soldier who took up arms and fought for Israel. A very hard experience that marked his life as an American Jew, shaping his talent as if it were a storm that shapes a mountain. There are normal lives that sometimes create extraordinary tales. And then there are extraordinary lives, without safe harbors, that are sublimated in universal works, destined for the Esperanto of the eye, to the collective dimension of natural values. Eugene Lemay enters the extraordinary of a nomadic existence, culturally fertile, impressive for its events and consequences. A life inside life, so involving that it becomes an artistic thrust, so as to produce consequences in the form of works and visual messages.

Gianluca Marziani: “I am struck by the double soul of some of the works, the ability they have to mould themselves on the individual habitats. When I saw the installations in the gigantic studio in New Jersey, I thought they breathed in silence, in a neutral environment that accepted them without conflict. Once set up in Spoleto, something completely changed in them, now they began a phase of faster breathing, as if they felt an anomalous place and tried to adapt to a habitat full of memories …”.

Phantoms, witnesses, shadows… it is them who guide us ideally along the stations of the Piano Nobile, we feel them inside the paintings, beyond the frames, among the false bombs of an installation, inside the pictorial impasto, in the monochrome backgrounds of the surfaces… Lemay crosses the evil of humanity with the metaphorical pace of art, avoiding the blackmail of realism, preferring the suspended pace of allegorical rites, of archetypal figures, of the dissolving black, of the clouding grey. Through digital elaboration and manual execution, bodies and faces are recreated that seem to have been born from plasticine, wool, steam, snow, cream… they are shadows of flesh, solid ghosts, silent witnesses of the evil suffered… Arctic and nebulous bodies, similar to white bears that embrace, bend, suffer, fall, stand up… Bodies of soldiers that could become everything we would have liked them to be… Bodies that are philosophical archetypes between Plato and Nietzsche, sometimes black like shadows in the darkness of the cave, like soldiers under a starless sky… Bodies that embody pain and the desire for rebirth, divided between a necessary evil and an even more necessary good… bodies that are ghosts on their way through the world, slow but elephantine in the heavy pace that tramples on wounded lands… bodies that seem solid shadows, eyewitnesses of collective pain… bodies that seek the light of the night, the stars of the day, the distant horizon of the events.

Gianluca Marziani: “Godot arrived among us together with the silent witnesses of Lemay. Samuel Beckett’s mysterious figure arrives among the living, blurs into the crowd of ghosts and mute shadows. He doesn’t introduce himself to anyone but we understand that he is Godot, archetype among the archetypes, witness and judge who guides humans to the edge of the abyss, stopping just before the fall. In front of the emptiness he sums up the evil in an instant, caressing the suffering Earth, asking ourselves which side we want to go to… Because evil has reached its peak and beyond that peak the black hole begins, the antimatter of existence, the end of the last Endgame. Godot accompanies us on the abyss and lets us look at the infinite emptiness but also at the light behind our backs, at the possibility of a new journey, of a plausible rebirth. The choice between the black hole and the light, between a long farewell and a long love is up to all of us…”

The exhibition ends on Sunday 7 October 2018
Info: www.palazzocollicola.it https://www.facebook.com/PALAZZOCOLLICOLA
Palazzo Collicola: info@palazzocollicola.it
Sistema Museo: ufficiostampa@sistemamuseo.it

GIORGIO ORTONA – F.I.C.O. Feticci Individui Case Oggetti – Exhibition @ Palazzo Collicola Arti Visive
Jun 30 – Oct 7 all-day
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The opening of Giorgio Ortona’s exhibition, will take place on SATURDAY 30 JUNE at 12.00 at Palazzo Collicola Visual Arts. The exhibition is curated by Gianluca Marziani and included in the Festival Of Two Worlds’ official programme.

The Press Conference will be at 11.00 at the Piano Nobile’s gallery.

The exhibition is organized in collaboration with Settantasette Gallery (Milan).

Rome. Pigneto. Via Braccio da Montone: a low building is in front of us, whose first floor is Giorgio Ortona’s studio, in a district that stigmatizes the merits and faults of a complex city, fabulous in evidences but decadent in attitude; a metropolis that here at the Pigneto weaves mixed building with creativity, a multi-ethnic knot with a nightlife, proletariat and technological tertiary of the new generation. From here, between Casilina and Prenestina, an author’s gaze with a drone’s philosophy scans open-field heights offering a concentric and lenticular vision of a building speculative, commercial, dissonant, populous modern Rome…

Giorgio Ortona paints not only what he sees but what his eyes smell, what his ears taste, what his mouth hears… an apparent contradiction of the senses, a true mirror of a brush that resolves the semantic contrast inside itself: a dirty yet surgical painting, swarming but dry, realistic and mental at the same time. It is a painting of healed contrasts, where the same frame of raw wood, while imitating the building site pallet, is turned into a spacer with perfect calibration. A contradiction that is also resolved in the depths: you can glimpse lines, numbers and notches that reveal the architectural nature of the table, as if the background were the cellulose on which the author designs the visions. Here the soul of an architect comes out, his past at university and his mental disposition; the angle of view that emerges certifies an imprinting but also its short-circuit, thanks to a language, painting, that redefines the deep feeling of architecture.

Painting is the habitable architecture of interior spaces

Giorgio Ortona’s Rome becomes a matrix and a genetic code, a figurative genome that crosses multiple places of the 20th century. Don’t think, however, of the usual unmade suburban capital; here, on the contrary, the beautiful social housing of the 1960s is told, some Umbertine façades between Esquiline and Colle Oppio, some residential masterpieces in Prati and San Giovanni, many monolithic buildings that fit well into the urban context, often among snake-like bypasses, elevated roads, connections and strips of asphalt. Ortona maps the Capitoline city between roofs and antennas, balconies and public greenery, creates geographies of reinforced concrete, enhances the building site with the equipment of scaffolding and cranes soaring … one could say: for some time Rome was not so “Roman” in a picture; it should be added: a Rome so meticulous as to become universal, archetype of any place grown up for crossbreeds, cultural exchanges, collective energy, political power and economic investment.

Ortona’s Rome is also the city of beloved faces, of similar bodies, of sensitive objects that capture his emotional trust. It is a world of living affections and sensations, a watchful bond with the prose of everyday life: the city outside, people and objects in apartments, on terraces, in front of a door, inside a shop, standing on the street, wherever the body, a food or an object are biological integrations of the pulsating city. The self-portrait itself, now exhibited with some variations, involves t-shirts or vests that the author, having died out in the white paint, wore at the time of the photo, thus offering us a portrait by absences, by urban evocations, by background noises.

Ortona’s urban imaginary is born from above, through Google Earth’s panoramic images. Hence the creation of a pictorial grid in which realism joins the erasures of colour, the evoked absences, the sudden fades. Areas that did not deserve a celebration, that clashed in context, that polluted the architectural eye of Ortona, they just disappeared. Merely apparent absences that turn into bands of color, recalling Nicolas De Staël and Alberto Burri, electrifying the painting with abstract volumes, so plastic as to merge with the real city.

The paintings will be accompanied by Storie di Pittura (Stories of Painting), a video that tells the artist’s life and work. An appendix that summarizes the narrative of a unique journey in the city that does not sleep, in the neighborhoods with high human temperatures, in the private worlds of an artist who architect, day by day, his inner rooms. The video was realized by Sintesi Visiva.

A passer-by through the Pigneto would say: “how cool this picture by Ortona…”

F.I.C.O. ovvero, Feticci Individui Case Oggetti
www.giorgioortona.com

The exhibition ends on Sunday 7 October 2018
Info: www.palazzocollicola.it https://www.facebook.com/PALAZZOCOLLICOLA
Palazzo Collicola: info@palazzocollicola.it
Sistema Museo: ufficiostampa@sistemamuseo.it

GIUSEPPE PULVIRENTI Trademark SP – Exhibition @ Palazzo Collicola Arti Visive
Jun 30 – Jul 29 all-day
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Saturday 30th June, at 12:00, sees the opening of Trademark SP, an exhibition by Giuseppe Pulvirenti, curated by Gianluca Marziani, at Palazzo Collicola Arti Visive in Spoleto.

The exhibition is part of the official programme of the Spoleto Festival dei Due Mondi.

Achille Bonito Oliva: “If sculpture is a genre that seeks forgiveness, Giuseppe Pulvirenti achieves the aim: he avoids encumbrance and exalts his ingress into the realm of Form. Cleansed of any celebratory intent or any purely descriptive representations of a functional reality, the work of art is, instead, elevated to the role of dematerialized Space and entrusted to the temporal dimension of contemplation and reflection.

As Gianluca Marziani, the exhibition’s curator, writes, “Giuseppe Pulvirenti compresses the deep mystery of sculpture into his concise and wordless volumes. He eliminates all ornament in order to focus his intervention on the inner bones of the sculptural world and on the alchemic limbo that lies between Piero della Francesca’s egg and Kubrick’s monolith. These are sculptures as activators of meaning, sculptures that become inaccessible little strong boxes, vertebrae-like pieces of compacted material on the surface of which no openings appear.

Pulvirenti guides the viewer towards a form of pure reflection, underlining the degree to which all shapes – even the most mysterious – are innate in the human mind. The artist’s task is to drag them from the depths and make of them iconic facts, lingering to consider the ambiguity of volumes, the allusive potential of the object/sculpture – to which his choice of almost always enigmatic titles contributes. This is an art that assumes metaphysical functions in order to explore the mystery of archetypical and universal forms.

At Palazzo Collicola Arti Visive, Pulvirenti will be exhibiting two works in bronze and one in plaster. The two bronze sculptures, “Cruna Quadra” [square crest] and “Cruna Tonda” [round crest], both from 2018, will each stand on and against the floor and the wall, creating a physical sensation of transience. Both sculptures are signed, very evidently, with the artist’s initials – GP – and the year in which they were made, as was also the case with the works in his previous Trademark series, shown in March 2018 at the Galleria Valentina Bonomo in Rome. Here, too, Pulvirenti plays with the idea of objects produced in series, imprint the bronze with letters and numbers that distract from the their purely aesthetic appeal.

The exhibition is being presented in the room dedicated to Alexander Calder, the sculptor who, here in Spoleto, created “Teodelapio”, the 18-metre-high oneiric masterpiece that has stood in front of the station since 1962. Echoing Calder’s sculpture, Pulvirenti’s work in plaster, “Senza titolo” [untitled], again from 2018, will stand on the floor, just like the American artist’s famed Stabiles. A silent dialogue that offers a radiant homage to Calder’s surreal vertiginousness, his geometrical dilemmas, his short-circuiting of space and the notion of a reconstructed beauty.

What was previously Trademark, here becomes TRADEMARK SP, the two additional letters referring to the city of Spoleto and to the artist’s initials, GP: the “logo” for his mysterious alchemies in sculptural form.

BIOGRAPHY
Giuseppe Pulvirenti was born in Syracuse, Sicily (1956). He lives and works between Rome and Syracuse. From 1970 to 1975 he studied at the Istituto Statale d’Arte in Syracuse and the Accademia di Belle Arti in Rome where, since 1986, he has lectured in “Modellistica” [model making]. His work has featured in numerous international exhibitions, including: XI Quadriennale di Roma (1986), XLIV Biennale di Venezia (1990), Triennale di Milano (1994), Palais des Arts de Toulouse (1994), the Winchester Gallery at the Winchester School of Art, UK (1997), Rha The Gallagher in Dublin (1997) Pici Gallery in Seoul (2004), Tokyo Design Center in Gotanda (2004), 
Kuchu Teien Tenbodai Sky Gallery in Osaka (2004). Important recognition and prizes have included the Venice Biennale Purchase Award (1990). His major solo exhibitions have included: Framart studio in Milan (1992), Galleria Nuova Icona in Venice (1996), Fondazione Mudima in Milan (2000), and various exhibitions at the Galleria Ugo Ferranti in Roma (2004, 2006, 2009, 2012). In 2018 he had a solo exhibition at the Galleria Valentina Bonomo in Rome.

The exhibition ends on Sunday 29 July 2018
Info: www.palazzocollicola.it https://www.facebook.com/PALAZZOCOLLICOLA
Palazzo Collicola: info@palazzocollicola.it
Sistema Museo: ufficiostampa@sistemamuseo.it

ROBERTA PIZZORNO Full of Emptiness – Exhibition @ Palazzo Collicola Arti Visive
Jun 30 – Oct 7 all-day
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The opening of Roberta Pizzorno’s exhibition, on SATURDAY 30 JUNE at 12.00 at Palazzo Collicola Visual Arts.

The exhibition is curated by Gianluca Marziani and included in the Festival Of Two Worlds’ official programme. The Press Conference will be at 11.00 at the Piano Nobile’s gallery.

Roberta Pizzorno brings to Spoleto the figurative results of a long work with Indian ink and watercolours. Two years ago the artist settled in Spoleto and started a fruitful collaboration with Palazzo Collicola Arti Visive, which originated a number of projects integrating given drawing techniques in Sistema Museo’s workshops. This exhibition is a report in progress, a synthesis that finds an ideal exhibiting workshop at the Sten & Lex hall.

The point: the start of everything, the primordial factor, the beginning of the cognitive journey. Point as prologue and first chapter of the existing, a suspended moment in which every shape is possible, every freedom is ready for the free ones, every beauty potentially available.

…cellular microworld, cosmic gigantism, plant life, animal world…

Point, line and curve define Pizzorno’s interior filiations, her inner cosmogony, her space of aesthetic awareness. The gesture, disciplined and daily, acts by lines and curves, creating flying bio-forms, gaseous volumes, solids without apparent weight. Indian ink and watercolour share the executive process and recreate two parallel but dialoguing worlds, united by a gesture that acts as a bridge between the formal souls.

The point, similarly to a cell, begins to hear the noises of the Planet, records clear sounds and subliminal trails, looks for the next point to define the narrative chain of the line, of the sliding forward, of the dialogue that does not stop but recreates the phrases of our conscious dream.

Dealing with the line, that is, the path of the form, the development of an idea in its necessary skeleton.
The line as an ambition for knowledge, a search for the open margin, an adventure into the pulsating mystery of the future. A line that always travels forward, following the movement of the hand and the eye of the feelings. The line as a watchful conscience of the progress.

…directions of the essential black&white, harmonic rhythms, directions of the colour beyond the essence…

That soft line confirms the clarity of a pacified gaze, free from worldly chains and social ties. Pizzorno comes out of the appearances of reality to build visual subjects that fly in the gravitational radius of fantasy. They are complex embryos where human, animal and plant belong to the same biological consciousness. The pulsing metamorphosis becomes the genetic reason of his lovable bodies, the harmony of the dialogue guides the rituality of the continuous gesture. They are forms that produce wonder…

Our artist practices harmony and balance as if it were a respiratory rite. Her projects have no knots or protrusions, on the contrary they appear fluid and musical, pure entropy in a huddled form. The work turns into a continuous self-portraying through emotional fragments, a diary that stretches along the ritual curves of life. Point, line and curve make the gesture a kind of continuous and conscious breathing, so similar to the contracting and expanding of the universe.

Addressing the curve, that is, the form in its complexity, towards the sense that defines a project.
Curve as a plan of intuition, a cosmic and inner seismograph that draws the short-circuit, the cohabitations, the final harmony. A curve that speaks of evolution, synaesthesias, beauty. Soft corners that walk the slope and then hover in the air through the watercolour,

…drawing to understand, until the eye begins to see again…

I like to think that the artist’s flying bodies are cosmic eyes that enclose the secret formulas of emotions, feelings, clear beauty, cognitive clarity. Bodies of bright ink, dark, to engrave like sensitive grooves, majestic in their ethereal fullness. Bodies made of Indian ink, bodies of a very Italian and geolocalized Made in China. Bodies also made of liquid watercolor, gestalt membranes of a private and exciting Made in Herself.

The exhibition ends on Sunday 7 October 2018
Info: www.palazzocollicola.it https://www.facebook.com/PALAZZOCOLLICOLA
Palazzo Collicola: info@palazzocollicola.it
Sistema Museo: ufficiostampa@sistemamuseo.it

(Italiano) SPOLETO ARTE – mostra a cura di Vittorio Sgarbi @ Palazz Leti Sansi
Jun 30 – Jul 25 all-day
<!--:it-->SPOLETO ARTE - mostra a cura di Vittorio Sgarbi<!--:--> @ Palazz Leti Sansi | Spoleto | Umbria | Italia

Sorry, this entry is only available in Italiano.

TTOZOI – GENIUS LOCI (REWORKS) – Exhibition @ Casa Romana
Jun 30 – Oct 7 all-day
<!--:it-->TTOZOI - GENIUS LOCI (REWORKS) - Mostra<!--:--><!--:en-->TTOZOI - GENIUS LOCI (REWORKS) - Exhibition<!--:--> @ Casa Romana | Spoleto | Umbria | Italia

The opening of the TTOZOI duo’s exhibition, on SATURDAY 30 JUNE at 16.00 at the Casa Romana in Spoleto.

The exhibition is curated by Gianluca Marziani and included in the Festival Of Two Worlds’ official programme. The Press Conference will be at 11.00 at the Piano Nobile’s gallery.

GENIUS LOCI, conceived by Stefano Forgione and Giuseppe Rossi, curated by Gianluca Marziani, originates from the idea of creating works of art directly in the chosen historical places, through the original technique of natural proliferation of mould on jute, with further painting additions.

Gianluca Marziani: Mould becomes a pure linguistic code, a biological application that leads painting to the limit of its possible mutations. TTOZOI’s grammar regenerates the archetypal models of Calzolari and Penone, bringing the iconographic orbit back into the evolutionary perimeters of the painting. The natural action is not dispersed but takes place on circumscribed surfaces, under the control of the space of action. An event between randomness and control that radicalizes the link between Art and Nature, making biology a collaborative and elaborative phenomenon. A lively dialectic that brings the creative factor into the beating heart of the natural cycle…

The “naturally informal conceptualism” or “the naturally absolute informal” that is at the base of TTOZOI’s work, evolves its natural creative process, coming into contact with three UNESCO sites, universal symbols of Italian architectural and archaeological culture: the REGGIA DI CASERTA (November 2017) with its Sanniti necropolis dating back to the 4th century BC, brought to light in 1990 in the area below the second courtyard; the AMPHITHEATRE OF THE POMPEI ARCHEOLOGICAL COMPLEX (December 2017) where the duo used the ambulacra, buried by the eruption of Vesuvius in 79 and then brought to light; finally the COLOSSEUM (soon), the largest amphitheatre in the world, global symbol of Rome and icon of Italy. Within this process that becomes molecular and conceptual fusion, the exhibition arrives at the CASA ROMANA in Spoleto, a sort of exhibition spin-off that inserts a private residence between the three monumental stages.

Gianluca Marziani: The three chosen areas represent the apotheosis of the Italic genius, the archaeological peak of ancient lustres of human genius. Inside this monumental cycle a passage of recollection was needed, an intimate dimension of the natural process. A domestic adaptation that would bring the works back into the space of the domestic cycle, where historical memory is linked to the design of modern habitats….

The Roman House in Spoleto, dating to the beginning of the first century A.D., is a stately home discovered by Spoletan archaeologist Giuseppe Sordini in 1885-1886 and dug several times until 1914. It is located partly under the Town Hall Square and partly under the Town Hall of which it occupies the foundations. Today it is the most visited site by tourists in Spoleto.
In Spoleto there will be a rigorous selection of the works from the first two stages, as well as a project of site-specific proliferation, designed for the impluvium of the Roman House. Fifteen works will be inserted with camouflage and respect for the environment, almost to blend the living nature of stones with the controlled nature of natural mould.

Gianluca Marziani: The integration with the places occurs through branched proliferation. No longer something purely formal but a process that integrates visible and invisible, memory and present, history and news, individuals and communities…

In the first two stages the artists created the works in situ, installing some sealed showcases in which the canvases remained for about 40 days: Time and Nature did the rest. During the gestation it is the canvas that captures the humus, the soul of every place, going beyond the visible, allowing the memory of the cultural “container” to be transferred to it through two factors: the “emotional conditioning” and the “environmental conditioning”, able to evoke the history and the suggestions of the chosen places in the observer’s mind.

The informal process, carried out by four hands, involves the use of organic materials (various flours), water and natural pigments on jute canvases, then placed in special cases that encourage the natural proliferation of moulds, with always different manifestations; feeding themselves on the organic part only, the spores interact with the work according to an unpredictable, apparently chaotic scheme. TTOZOI actually monitors the progression of the process, until it decides to interrupt it, according to a declination of “saving from aesthetics in pureness”. Only at this point will the canvases be pictorially finished and completed, leaving the traces of the passage of nature visible.

Gianluca Marziani: Informal painting finds its most significant evolution, an aesthetic landing place that distorts the interpretative factor of the works. All abstract appearances are transformed into a process with a high figurative value, where what we see leads us far beyond the pure form, into the pictorial stratification of memories, experiences, dynamic processes, external contributions…

Thursday 19 July, 2018 a personal exhibition is scheduled at the Reggia di Caserta. A closing exhibition will be held, finally, in a prestigious Capitoline museum, so as to expose all the works made in the three monumental complexes. In Caserta the complete cycle that was realized in the months of proliferation inside the Sanniti necropolis will be exhibited.

TTOZOI_Biography
Stefano Forgione (Avellino, 1969) and Giuseppe Rossi (Naples, 1972) are the two artists who operate under the pseudonym of TTOZOI since 2010, when their personal exhibition was held at Castel Dell’Ovo (curated by Luca Beatrice). Stefano (Degree in Architecture) and Giuseppe (Degree in Economics) are both self-taught. Since their adolescence they have been experimenting with various artistic techniques (charcoal, Indian ink, watercolour, acrylic, oil, spray, collage…) and approached the History of Art to deepen their knowledge of Informal culture, following their aesthetic and conceptual vocation. In December 2006 the common passion for informal themes will bring the two together again, after years spent in various Italian cities. At the centre of their confrontation there is the awareness that “Art has always been Contemporary” and that “the Artist cannot operate without the past”: hence the elaboration of a project – based on “concept” and “form”, “time” and “matter” – that is becoming the spokesperson of a small revolution in the experimental field of painting. TTOZOI is the creator of the so-called “intervention void”, a real expectation, following the simultaneous four-hand action on the canvas.

The exhibition ends on Sunday 7 October 2018
Info: www.palazzocollicola.it https://www.facebook.com/PALAZZOCOLLICOLA
Palazzo Collicola: info@palazzocollicola.it
Sistema Museo: ufficiostampa@sistemamuseo.it

YIGAL OZERI Where are we going? – Exhibition @ Palazzo Collicola Arti Visive
Jun 30 – Oct 7 all-day
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The opening of YIGAL OZERI exhibition, is scheduled for SATURDAY 30 JUNE at 12:00 in Palazzo Collicola Visual Arts, Spoleto.

The exhibition is curated by Gianluca Marziani and included in the Festival of Two Worlds’ official programme. The Press Conference is scheduled for 11:00 at the Piano Nobile.

Painting is defining new relationships with technological media, confirming itself as the most attractive, absorbing and intense visual code of the new millennium. Centuries pass, progress flows but the idea that painting embodies a solid permanence, a densely biological language, detonator of resistant metaphysics and symbols that can be handed down does not change. Painting has many dialogues with the photographic world: a virtuous combination to encode a transmedia aesthetic, a metaphorical mirror of a present with a high visual consumption. In a historical period of linguistic revision, it was natural for the photorealist code to regain its operational and conceptual centrality. Also because today, far from the beginnings of Chuck Close and Richard Estes, the hyperrealist language absorbs digital cells and modifies painting into a hybrid, calibrated on 3D and 4D projections, on smartphone operating systems, on shooting and editing photographic software. Hyperrealist painting has thus been transformed into post-digital painting, a sort of pictorial GMO that has metabolized analogical photography, sedimenting various traces of future memory in its mixture.

Yigal Ozeri’s post-digital painting focuses on WOMEN…

Eva continues to fuel the ecstasy of two-dimensional art. She, the First Woman of desire, the milestone of the narrative, the erotic archetype of humanity still radiates the artistic ambition of the trace, the outline, the sign, the color… The creation generally pursues resisting icons, seeks out the whims that are the Stonehenge of emotional education. Woman has always been swimming at the center of artistic thought, guiding the historical document but also the revolutionary action, the change, the militant struggle. Telling the story of a woman in a painting means acting from the beginning to frame complexity; it means loving and sharing, using the language of the body and the gaze, chemistry and alchemy; it means hiding ethical messages in the folds of a dress, in the reflection inside the eye, in the posture of the face, in the objects worn…

Woman as symbolic detonator for a social, political, cultural rebirth…

Yigal Ozeri (1958) is an Israeli author who lives and works in New York, in the city that best stimulates his imagination, in a perpetual physical rhythm that sticks to his thematic intentions. From the streets, from the faces, from the bodies on the way, the artist gets sensations that he transfers in his shoot with the models in pose, when he defines the portfolio from which he will obtain the images to paint. Let’s not think, however, of the old codes of hyperrealist painting, today there are no catalogues of streets, machines, shop windows or other fetishes of the American model. The lucid coldness of his predecessors turns into a warm, emotionally involved eye, in search of fluid eroticism, of a Raphaelite but also digital youth, and of a barrier-free sensuality. Ozeri’s women are revolutionary detonators that act on the eye. They don’t scream, they don’t embrace weapons, they don’t distill hatred, they look ahead and forward, towards the upset world, the psychotic drifts, the cultures of terror. They do so from their silent places, from the quiet contexts in which they live their pictorial eternity. They look at each of us, striking our eyes, our civic conscience, acting with slow and prolonged release, as it happens with Literature and Poetry.

That feminine look, so calm and suspended, has something revolutionary about it…

Ozeri’s universe is reconnected to a Western tradition, especially Italian, of female portraiture, from the virginal faces of 16th-century Florence to the neoclassical white of Antonio Canova, through the 19th century by Giovanni Boldini, the 20th century by Amedeo Modigliani… Ozeri crosses the matrices of the feminine and leads them to an urban, multiracial, heterogeneous epic. His creatures are the Madonnas of our times, the Saints of a chaotic present, the great ladies of a virtual but not always virtuous today. They are the amazons of the visible city, the sherpas of our inner journey, the young mothers of humanity who see the future. They are the answer to the culture of violence, a soft counterattack of beauty blows and poetic actions. You can be sure: the future of humanity will have to pass through the trajectories of the sublime, of ecstasy, of desire, of beauty…

Ozeri’s women come straight from the present, yet they seem out of time, beyond the space of creation, floating like stars across the centuries. Their looks, their postures, their bodies are fragments of a long sentimental discourse, born with life and destined to last beyond ourselves, beyond the contingency of everyday life. Ozeri’s women symbolize a resisting iconography, proof of a perennial regeneration that only painting (and sculpture in part) can make possible. Because these girls of radiant sensuality, shining in their glances, magical in their way of looking, tell the story of the indissoluble resistance of the painting, the ability to infect the future with the memory of an eternal present. They are no longer simple models but a model of beauty that can be handed down, a semantics of the indissoluble, a trace of the infinite imagined and dreamed of.

Those women seem to tell us, “Where are we going? What are we doing? How can we improve things?” There are no answers in the paintings, of course, because art only deals with questions. At the same time, their eyes guide us across the threshold, into the ocean of doubt, evoking the possibility of an island, of a safe harbor for our conscience. A place to clarify the gaze, trying to provide an answer.
The only male figure in the exhibition is the artist himself, a black-and-white foreground who observes like a demiurge in front of the students. The expressive face and the hair have the meticulous impact of the portraits by Bronzino and Rembrandt, that surgical way of managing the climax with admirable dramaturgy. Yigal Ozeri embodies the eyes of our possible answers, resembling a guide who observes us as Beauty reveals the coordinates of the island.

www.yigalozeriartist.com

The exhibition ends on Sunday 7 October 2018
Info: www.palazzocollicola.it https://www.facebook.com/PALAZZOCOLLICOLA
Palazzo Collicola: info@palazzocollicola.it
Sistema Museo: ufficiostampa@sistemamuseo.it

Jul
1
Sun
SPOLETO CARD Thematic Guided Tours – July 2018 @ Spoleto
Jul 1 – Jul 29 all-day

Information and reservation: Soc. Coop. Sistema Museo – Piazza Collicola – Tel. 0743 46434 – 0743 224952 – e-mail: info@spoletocard.it

Information: IAT di Spoleto – Tel. 0743 218620 info@iat.spoleto.pg.it

Further info on www.spoletocard.it

Jul
7
Sat
(Italiano) FIGURAZIONI MUSICALI – anteprima Biennale di Fiber Art Spoleto @ Galleria Officina d’Arte&Tessuti
Jul 7 – Jul 31 all-day
<!--:it-->FIGURAZIONI MUSICALI - anteprima Biennale di Fiber Art Spoleto<!--:--> @ Galleria Officina d’Arte&Tessuti | Civitavecchia | Lazio | Italia

Sorry, this entry is only available in Italiano.

JEWELS AS SCULPTURES / SCULPTURES AS JEWELS @ Palazzo Collicola Arti Visive
Jul 7 – Jul 29 all-day
<!--:it-->GIOIELLI COME SCULTURE / SCULTURE COME GIOIELLI - Mostra<!--:--><!--:en-->JEWELS AS SCULPTURES / SCULPTURES AS JEWELS<!--:--> @ Palazzo Collicola Arti Visive | Spoleto | Umbria | Italia

GIORGIO FACCHINI talks with the works of the Collezione Carandente… accompanied on the precious journey by jewels by Arman, Bury, Calder, Fontana, Lichtenstein, Picasso, A. Pomodoro, G. Pomodoro…

curated by Gianluca Marziani

The opening of the ARTIST’S JEWELS exhibition, will take place on SATURDAY 7 JULY at 12.00 at Palazzo Collicola Visual Arts. The exhibition is curated by Gianluca Marziani and included in the Festival Of Two Worlds’ official programme.

Giorgio Facchini, from Marche, contemporary jewel sculptor, returns to Spoleto with an exhibition inside the Collezione Carandente at Palazzo Collicola Arti Visive. It is a selection of unique pieces, and an outside sculpture, all done following a chronological thread and miltiple figurative keys. The performing quality, the visionary theme and the expressive strength provide the contents for his dialectics between gold and XXth-century art, in an iconographic process that touches Informal Art, Surrealism, Spatialism, Cinetic Art and Constructivism. Facchini’s works converse with the works included in the Collezione Carandente, interesting duets in which his creations, placed inside display cases, enter in vituous tune with the chosen work. A unique project, conceived with an artistic approach, to give the jewel the universal character of a small-sized, pure sculpture.

Gianluca Marziani: “A man-sized sculpture, dark monolith by the complex plot, challenges the intimate vision and creates a short-circuit between the full scale and the huddled dimension of the small scale. The work offers an iconic bridge between sculptural jewel and thorough sculpting, where the relief’s reasons confirm the hybrid approach of an author by the slipping, contaminated nature. If the jewels yearns for the body as if it was an exhibiting space, likewise the melting sculpture contracts its soul in a gigantism of precious thing by the modelistic heart.”

Tommaso Trini: “Sculpture innervates each of Facchini’s artifacts, as shown by the circularity of portrayed features.
Symbolic signs and allegorical figures always conjure a plastic concert, a chromatic choir by the peculiar, circular eloquence, though knotted down to a plane. Facchini creates refined sculptures, open toward the outside, without inflating them in rowdy monuments. He prefers hermetic meetings. His internationally-known jewels’ geometrical construct is also circular. They don’t just embrace life-pulsing wrists, they shroud ears and chests like convex constructs, a convexity already held dearest in De Chirico’s paintings. Facchini’s creations are a curved flow of precious stones and metals on shields of light. The strength of the essence makes them even more a model, the more essential they are.

Carlo Bo: “Facchini starts as a goldsmith and then becomes a sculptor. Following his family’s tradition, he is an inventor, a creator. You could also say that by dint of perfecting his first reasons, he could later pick up some backlashes of truth and penetration…”

Vittorio Rubiu: “The start of his style is relating to some sort of primordial or symbolic form, detaching from geometry to then reactivate it, following a more intimate, hidden willfulness, always with a very selected taste of matter, an invention, an experimentation that have little to do with traditional goldsmithing. Hence his constant interest for sculpture and his capacity to apply the spatial theme of sculpture to the jewel with an intensity, clarity and firmness that challenge the meticulousness of the performance, no matter how rich and admirable…”
Giancarlo Menotti: “As everybody knows, gold is evil, but in Facchini’s hands it can become fragile and delicate like a melodic sentence.”

Gianluca Marziani: “Thinking wearable sculpture as a journey from micro to macro, where balance, spatial harmony anc compressed tension count more than dimension. Facchini’s jewels originate from a projecting that looks like a sculptor’s modular passages magnifying drawings sprouting out displacing visions; here the process is reversed, the drawing is shaped to fit the volume to be worn.”

The artists chosen for the dialogue are Alexander Calder, Sol LeWitt, Leoncillo, Beverly Pepper, Carla Accardi, Franco Angeli, Fausto Melotti, Giuseppe Capogrossi, Mario Schifano, Toti Scialoja, Luigi Ontani, Mario Ceroli, Henry Moore, Giuseppe Uncini, Alberto Garutti, Gianni Dessì, Shay Frisch, Giovanni Albanese…

A special section of the exhibition features some jewels created by great XXth-century artists. A hall will feature works selected by Facchini and Marziani among the best proposal on the international market. Masterpieces by Arman, Pol Bury, Alexander Calder, Lucio Fontana, Roy Lichtenstein, Niki de Saint Phalle, Pablo Picasso, Arnaldo Pomodoro, Giò Pomodoro…

COLLEZIONE CARANDENTE The project of the Carandente Collection grows on solid foundations, along never-static roots that speak of Italian art in the second half of the twentieth century, of now legendary sculptors, international names but also local artists who have fueled the cultural consciousness of Spoleto and its extensive surroundings. The foundations of this museum concern the historical core of its collection, a heritage that Giovanni Carandente built with dedication and passion, documenting the artistic events of Spoleto, design dreams (Sculptures in the city), fixed events (Spoleto Prize, Festival dei Due Mondi), the Group of Spoleto, the research of Italian and foreign masters, up to the special relationship with Leoncillo Leonardi, the most important of the “local” artists, inventor of the Spoleto Prize, among the main architects of the city’s cultural maturation. Starting from here was necessary: the philological qualities of the heritage, its iconographic peculiarities, the private connections that have become the historical conscience of the project and of its necessary evolutions. On this basis, convinced that a collection must follow the spirit of the times, it was necessary to shape a new exhibition layout, creating more rigorous and connective settings, using white as a living counterpoint, inviting the public to a reborn empathy, to an emotional and sensory journey, to an assonant narrative between memory and future.

BIOGRAPHY Giorgio Facchini was born in Fano in 1947. When he was very young, while devoting himself to drawing, he attended the studio of a goldsmith, an uncle of his. He later met sculptor Edgardo Mannucci, fundamental for his formation, while continuing his studies in Venice. He made his debut with some jewels, first informal and then spatial, made with the “osso di seppia” technique (Italian for cuttlefish bone). The first exhibition takes place at the Fanesi Gallery in Ancona. In 1967 he won first prize at the Bevilacqua La Masa in Venice. In 1969 he began to create kinetic jewels. In the same year, Pierre Cardin invited him to Paris to present his jewellery together with his autumn/winter fashion collections. In 1970 he took part in an exhibition at Fumanti, a Roman jewellery company specialising in artists’ pieces. Also in the 1970s, exhibitions at the Galleria Levi in Milan, La Nuova Pesa in Rome, La Triennale in Milan. In 1971 he won the First Prize at the VI Gubbio Metal Art Biennial. In 1972 he exhibited at the Drummonds jewelry store in Melbourne. In these years he developed his ties with the Festival dei Due Mondi, until in 1974 he minted the gold medal commissioned by the Festival. In the same year he exhibited in the United States at the Wichita Museum. In 1981 a new solo show at Drummonds, then a large exhibition at the Pinacoteca di Macerata. In 1992 he participated in Oro d’Autore. In 1997 he held a solo exhibition at the Archaeological Museum of Milan. In 2001 he was featured in important exhibitions at Palazzo Pitti in Florence and Mole Vanvitelliana in Ancona. In 2006 he received a tribute within the International Review G.B. Salvi in Sassoferrato. In 2009 he participated in the exhibition “Italian sculpture in the jewel of an artist from the second half of the 20th century” at the Attilio and Cleofe Gaffoglio Museum in Rapallo. In 2010 he exhibited at the Sturni Antiquities Gallery in Rome. Besides jewelry, Facchini is dedicated to sculpture and medallistics. He has taught plastic disciplines at the Academy of Fine Arts in Macerata and at the Brera Academy in Milan.

The exhibition ends on Sunday 29 July 2018
Info: www.palazzocollicola.it https://www.facebook.com/PALAZZOCOLLICOLA
Palazzo Collicola: info@palazzocollicola.it
Sistema Museo: ufficiostampa@sistemamuseo.it

Jul
13
Fri
XXXIII Sagra del Tartufo – 33rd Truffle Festival @ Terzo San Severo
Jul 13 – Jul 22 all-day

Loc. Terzo San Severo, 13-22 July 2018
XXXIII Sagra del Tartufo – 33rd Truffle Festival
Organization: Associazione Amici di Terzo San Severo e Roselli

Info and programme:
www.sagradeltartufoterzosansevero.it

In Italy, a sagra is a local festival, very often dedicated to some specific local food.
Usually, the festival’s tavern opens for dinner and events such as folk music shows are scheduled in the evening.

Jul
20
Fri
THE FOUR SEASONS – Spoleto’s Summer 2018 @ Spoleto
Jul 20 – Sep 2 all-day
<!--:it-->LE QUATTRO STAGIONI - Spoleto d'Estate<!--:--><!--:en-->THE FOUR SEASONS - Spoleto's Summer 2018<!--:--> @ Spoleto

Christian De Sica, Giancarlo Giannini, Caparezza, David Riondino, Kataklò dance company and Mauro Bigonzetti, the International Dance Gala Tribute to Rudolf Nureyev, the Teatro Lirico Sperimentale’s Eine Kleine Musik, Umbria Ensemble’s concerts of the dawn that pay homage to Leonard Bernstein and the Beatles: these are some of the protagonists and shows that make up the programme of THE FOUR SEASONS – Spoleto’s Summer, the cultural showcase of the Municipality of Spoleto that offers music, dance, theatre and literary events.

The summer programme of events also includes the mid-August events organized by PRO LOCO “A. Busetti”, as well as conferences, guided city walks, social events organized by various associations of the city including the State Archives of Perugia – Spoleto section, Cinema Sala Pegasus, Spoleto Studi d’Arte, Laudesi Umbri choir. Many exhibitions are also on display, such as the ones in Palazzo Collicola Arti Visive, Masterpieces of the 14th century at Rocca Albornoz, Diocesan Museum and Basilica of S. Eufemia, the one dedicated to the Festival of 1959 at the State Archives of Spoleto, Giacomo Ramaccini’s installation, Deposito d’autore at Casa Menotti and Figurazioni Musicali at the Galleria d’Arte e Tessuti.

Giancarlo Giannini opens the programme – Friday, July 20 (21.15) at the Roman Theatre – with the recital LE PAROLE NOTE, a meeting between literature and music that sees on stage, along with the great actor, the Marco Zurzolo Quartet with accordionist Luciano Biondini as special guest. An event by I Love Spoleto.

On Saturday, July 21 (h. 21.15) the dance show MEDITERRANEA will be staged at the Roman Theatre. A choreographic circumnavigation through the music of cultures overlooking the Mediterranean. A show that was born in 1993 for the Balletto di Toscana and that immediately got a resounding success. For its 15th anniversary, in 2008, he was re-produced for the Teatro alla Scala company, marking Mauro Bigonzetti’s first Scala debut. Mediterranea is a production by Daniele Cipriani. An event by I Love Spoleto.

The Kataklò Athletic Dance Theatre will perform in the splendid setting of the Roman Theatre on Friday, July 27 at 21.15 with READY, a show specially designed by Giulia Staccioli, with spectacular choreographies taken from Eureka (2016), Puzzle (2012) and Play (2008), maintaining the dynamic, athletic, poetic and original spirit that has made the Kataklò the most loved and requested Italian company of athletic theater in the world. An event by I Love Spoleto.

Another important dance appointment will take place on Saturday, July 28 at 21.00, still at the Roman Theatre: the Great International Dance Gala tribute to Rudolf Nureyev, by Daniele Cipriani. Eighty years after its birth and twenty-five years after his death, the show is a journey through the most significant stages of the extraordinary artist’s career. The refined multimedia projections by video artist Massimiliano Siccardi will be accompanied, at the beginning, by a rare recording directed by Nureyev. An event by I Love Spoleto.

Double appointment – Friday 10th and Saturday 11th August ( Teatro Caio Melisso, h. 18.00) – with the Teatro Lirico Sperimentale and EINE KLEINE MUSIK 2018: a musical tribute to LA FRANCE with pieces by Erik Satie, Gabriel Fauré and Francis Poulenc. Afterwards, BA-TA-CLAN, the famous opera that marked the first great success of Jacques Offenbach, based on Ludovic Halévy’s libretto. Direction and staging by Giorgio Bongiovanni and Lisa Nava with the Soloists of Spoleto’s Teatro Lirico Sperimentale “A. Belli”.

Saturday August 18, at the Complesso Monumentale di San Nicolò (h. 21.30), David Riondino will be the protagonist of IL DIO DENARO (Non avrai altro Dio all’infuori di me) e altre letture (Italian for THE MONEY GOD – Thou shalt have no other gods before me – and other readings).
It is a special event included in the Libro d’Ingresso series, that marks a further step in the artistic collaboration between David Riondino and musician Fabrizio De Rossi Re.

Two concerts at dawn are organized by Umbria Ensemble chamber group, both of which will be held at the Rocca Albornoziana. The first one will take place on Saturday 11 August at 6.10, a tribute to Leonard Bernstein on the occasion of the hundredth anniversary of the great composer’s birth. The second one, Da Vivaldi ai Beatles, on Saturday 25 August at 6.25, will be a musical journey from Vivaldi to Boccherini, passing through some Beatles’ repertoire, reinterpreted by guitarist Leo Brouwer.

On Friday, August 31 at 21.30, Italian singer Caparezza will perform at the Municipal Stadium, with its Prisoner 709 Tour. The Tour promotes the homonymous seventh studio album by the brilliant artist, songwriter and rapper whose most peculiar expressive feature is stylistic contamination and sound eclecticism. An event by I Love Spoleto.

The full programme of The Four Seasons – Spoleto’s Summer includes many other events organized in collaboration with various cultural associations such as the recitals NOTE LETTERE curated by ‘G. Carducci’ and ‘G. Carandente’ libraries in collaboration with Teatro Lirico Sperimentale di Spoleto ‘A. Belli’, and INCONTRI MUSICALI 2018 at Rocca Albornoz and Church of Sant’Agata (curated by Spoleto Studi d’Arte) on August 15, 17, 19, 23, 24, 26, 30, 31 and September 2.

THE FULL PROGRAMME

LE PAROLE NOTE Roman Theatre | 20/7 h 21.15
Giancarlo Giannini recital | with Marco Zurzolo Quartet and ARTeM String Quintet
special guest Luciano Biondini | organized by I Love Spoleto

HISTORY OF THE COMPLEX OF SANT’AGATA – from monastery to prison
former Church of Sant’Agata | 21/07 h 18.00
conference | speech by Luigi Rambotti | organized by Perugia State Archives – Spoleto Section

MEDITERRANEA Roman Theatre | 21/7 h 21.15
dance show | choreography by Mauro Bigonzetti | produced by Daniele Cipriani
Entertainment | organized by I Love Spoleto

READY – Kataklò Athletic Dance Theatre – Roman Theatre | 27/07 h 21.15
acrobatic dance | conception and artistic direction Giulia Staccioli | organized by I Love Spoleto

INTERNATIONAL DANCE GALA Roman Theatre | 28/07 h 21.00
tribute to Rudolf Nureyev twenty-five years past his passing and eighty years from his birth
Produced by Daniele Cipriani Entertainment | organized by I Love Spoleto

PERFECT! IL RE DEL PUGNO Cinéma Sala Pegasus | 04/08 h 17.00
documentary film on the world of chessboxing | national premiere
direction and editing A. Mignacca | final debate
38° Ferragosto Spoletino | Pro Loco Spoleto ‘A. Busetti’

POTATOES: dug up, cooked and eaten Torrecola-Acquaiura | 05/08 h 10.00
38° Ferragosto Spoletino | discovering traditions with potato harvesting, tasting of bruschetta and bread rubbed with tomatoes
Lunch at ‘La Luna Piena’ restaurant h 12.30 | info and reservations Pro Loco Spoleto ‘A. Busetti’

EINE KLEINE MUSIK 2018 Teatro Caio Melisso ‘Spazio Carla Fendi’ | 10-11/08 h 18.00
LA FRANCE | music by E. Satie, G. Faurè, F. Poulenc

BA-TA-CLAN | libretto by Ludovic Halévy, music J. Offenbach
72a Opera Season by Teatro Lirico Sperimentale di Spoleto ‘A. Belli’

WAITING FOR THE FALLING STARS departure from Giro della Rocca | 10/08 h 18.00
city walk with Irene Maturi, Caterina Sapori and Roberto Quirino | cena alla
dinner at ‘Il Panciolle’ h 20.30 | 38° Ferragosto Spoletino | info and reservations Pro Loco Spoleto ‘A. Busetti’

DAWN CONCERTS Rocca Albornoz | 11/08 h 06.10
tribute to Leonard Bernstein on the occasion of the hundredth anniversary of the great composer’s birth.
by Umbria Ensemble

DANCING UNDER THE STARS Piazza del Comune | 11/08 h 21.00
dance show with Lorenzo Lupi from the Vienna State Opera Academy and ContemporaneaMENTE Gruppo Danza
38° Ferragosto Spoletino | info and reservations Pro Loco Spoleto ‘A. Busetti’

EMOTIONS AND NOTES concert for Cristian Piazza del Comune | 12/08 h 21.00
an evening of music and much more, with many friends of Cristian
38° Ferragosto Spoletino | info and reservations Pro Loco Spoleto ‘A. Busetti’

MAMMA LI TURCHI Piazza del Comune | 13/08 h 21.00
music from Southern Italy, pizzica, tarantella, tammurriata
38° Ferragosto Spoletino | info and reservations Pro Loco Spoleto ‘A. Busetti’

LA PUNTURA NO…NO…NO…!!! Piazza del Comune | 14/08 h 21.00
comedy by ‘La Traussa’ Theatre Company
38° Ferragosto Spoletino | info e prenotazioni Pro Loco Spoleto ‘A. Busetti’

INCONTRI MUSICALI 2018 Rocca Albornoz, Sala Antonini | 15/08 h 18.00
music by Haydn, Delibes, Lutoslawski, Mozart | curated by Spoleto Studi d’Arte

APACHE in concert Piazza del Comune | 15/08 h 19.00
38° Ferragosto Spoletino | Pro Loco Spoleto ‘A. Busetti’

TOMBOLA AND MID-AUGUST LOTTERY Piazza del Comune | 15/08 h 21.30
historic tombola board | 38° Ferragosto Spoletino | Pro Loco Spoleto ‘A. Busetti’

INCONTRI MUSICALI 2018 Rocca Albornoz | 17/08 h 18.00
music by di Britten, Strauss, Rossini | curated by Spoleto Studi d’Arte

IL DIO DENARO Complesso Monumentale di San Nicolò | 18/08 h 21.30
(non avrai altro Dio al di fuori di me) e altre letture
THE MONEY GOD – Thou shalt have no other gods before me
a show by and with David Riondino | music di Fabrizio De Rossi Re

INCONTRI MUSICALI 2018 Rocca Albornoz, Sala Antonini | 19/08 h 18.00
music by Chausson, Beethoven, Bunch | curated by Spoleto Studi d’Arte

INCONTRI MUSICALI 2018 former Church of Sant’Agata | 23/08 h 18.30
short concerts for families with children | curated by Spoleto Studi d’Arte

NOTE LETTERE (NOTES AND LETTERS, KNOWN LETTERS) Monteluco, prato piccolo | 23/08 h 18.00
The Magic Flute | Words, Voices, Belcanto and Music | recital curated by ‘G. Carducci’ and ‘G. Carandente’ libraries and Teatro Lirico Sperimentale di Spoleto ‘A. Belli’

10 KM OF MUSIC Complesso Monumentale di San Nicolò | 23/08 h 21.30
concert with music ranging from R. Galliano to E. Morricone and R. Molinelli
curated by Spoleto’s Trio Gabriele Francioli, Gianni Scarabottini, Marco Marino

INCONTRI MUSICALI 2018 Rocca Albornoz, Sala Antonini | 24/08 h 18.00
Music by Reich, Barber, Ligeti, CPE Bach | curated by Spoleto Studi d’Arte

CANTEMUS choral concert Rocca Albornoz, Sala Antonini | 24/08 h 21.30
a meeting of voices | Jacobus Gallus choir-Trieste conductor M° Marko Sancin |
Laudesi Umbri ‘Padre Antonio Giannone’ choir from Spoleto conductor Father Matteo Ferraldeschi

THE SUN OF SICILY in concert Church of S. Ponziano | 24/08 h 18.00
concert for organ | Angelo Silvio Rosati and Roberto Petralia | buffet by ConSpoleto
38° Ferragosto Spoletino | reservations Pro Loco Spoleto ‘A. Busetti’

DAWN CONCERTS Rocca Albornoz | 25/08 h 06.25
concert from Vivaldi to the Beatles – music by Vivaldi, Boccherini, Beatles/Brouwer | curated by Umbria Ensemble

CHRISTIAN talks about CHRISTIAN DE SICA Piazza Duomo | 25/08 h 21.15
concert with with the extraordinary participation of Pino Strabioli | Big Band Universe Orchestra
conducted by Marco Tiso | piano Riccardo Biseo | organized by I Love Spoleto

INCONTRI MUSICALI 2018 Rocca Albornoz, Sala Antonini | 26/08 h 18.00
music by Monteverdi, Allegri, Stefani, Wennakowski, Brahms | curated by Spoleto Studi d’Arte

NOTE LETTERE (NOTES AND LETTERS, KNOWN LETTERS) Rione ‘Le Casette’
Piazza Donatori del Sangue | 29/08 h 21.00
Don Giovanni | Words, Voices, Belcanto and Music | recital curated by ‘G. Carducci’ and ‘G. Carandente’ libraries and Teatro Lirico Sperimentale di Spoleto ‘A. Belli’

INCONTRI MUSICALI 2018 former Church of Sant’Agata | 30/08 h 18.30
short concerts for families with children  | curated by Spoleto Studi d’Arte

INCONTRI MUSICALI 2018 Rocca Albornoz, Sala Antonini | 31/08 h 18.00
music by Zante, Kreisler, Paganini, Duruflè, Vivaldi  | curated by Spoleto Studi d’Arte

NOTE LETTERE (NOTES AND LETTERS, KNOWN LETTERS) Anfiteatro Centro Civico di San Nicolò | 31/08 h 21.00
Don Giovanni | Words, Voices, Belcanto and Music | recital curated by ‘G. Carducci’ and ‘G. Carandente’ libraries and Teatro Lirico Sperimentale di Spoleto ‘A. Belli’

CAPAREZZA PRISONER 709 TOUR
Municipal Stadium | 31/08 h 21.30
concert | organized by I Love Spoleto

INCONTRI MUSICALI 2018 Rocca Albornoz, Sala Antonini | 02/09 h 18.00
music by Roussel, Martinu, Stravinsky, Schumann | curated by Spoleto Studi d’Arte

___________

EXHIBITIONS

MASTERPIECES OF THE 14TH CENTURY. The worksite of Giotto, Spoleto and the Apennines,
24/06 – 04/11 | curated by Vittoria Garibaldi and Alessandro Delpriori
Diocesan Museum, Basilica of S. Eufemia, Rocca Albornoz, National Museum of the Duchy
featuring about 70 gold-bottomed paintings on wood, polychrome wooden sculptures and miniatures
other exhibition venues: Trevi, Montefalco and Scheggino | www.capolavorideltrecento.it

EXHIBITIONS AT PALAZZO COLLICOLA ARTI VISIVE 30/06 – 07/10
curated by Gianluca Marziani
Palazzo Collicola Arti Visive – Eugene Leway with ‘Ghost Witness Shadow’, Giorgio Ortona with ‘F.I.C.O.’, Yigal Ozeri with ‘Where are we going?’, Andrea Pacanowski with ‘All’infuori di Me’, Roberta Pizzorno with ‘Full of emptiness’, Giuseppe Pulvirenti with ‘Trademark SP’
and Giorgio Facchini with ‘Gioielli come sculture, sculture come gioielli’ (exhibitions by Facchini and Pulvirenti will end on July 29)
16/07-31/08 Fri-Sun 10.30-13.00 / 15.30-19.00
01/09-07/10 Sat and Sun 10.30-13.00 / 15.30-19.00
Roman House – Ttozoi with ‘Genius Loci (Reworks)’ | every day 10.30-13.30 / 14.00-19.00

SPOLETO 1959 – The Second Festival of Two Worlds 28/06 – 20/09
Parugia State Archives – Spoleto Section (Largo Ermini)
featuring original photographs, archival documents and articles
Mon-Fri 8.30-13.30 | Mon and Thu 14.30-17.00 | free admission

CARATTERI DI TESTA 28/06 – 02/09
installation by Giacomo Ramaccini | Rocca Albornoz, National Museum of the Duchy
Tue-Sun 9.30-19.30 | Mon 9.30-13.30 | last admission 45’ before closing time

DEPOSITO D’AUTORE 30/06 – 31/08
curated by Gianluca Marziani | Casa Menotti (Piazza Duomo)
10 artists to recount the relationship between Giovanni Carandente and Spoleto
Tue-Sun 10.30-13.00 / 16.00-20.00 | free admission

FIGURAZIONI MUSICALI 07/07 – 31/07
curated by Maria Giuseppina Caldarola
Galleria Officina d’Arte&Tessuti (Via Plinio il Giovane)
setting up by Piefrancesco Caprio | Giulia Carioti, Annamaria Castellan, Cristina Mariani, Guido Nosa

Online ticket purchase for the following events:

20/07 | GIANCARLO GIANNINI: https://bit.ly/2lrDYHr

21/07 | MEDITERRANEA: https://bit.ly/2lnIXsM

27/07 | READY by Kataklò: https://bit.ly/2JXg0Tm

28/07 | INTERNATIONAL DANCE GALA: https://bit.ly/2MEJXW1

Municipal Stadium | Beginning of concert at 21.30 (gates open at 19)
31/08 | CAPAREZZA : https://bit.ly/2I8VHN3

25/08 | Christian talks about Christian de Sica: http://ilovespoleto.it/desica

Jul
21
Sat
PHOTO EXHIBITION | The Hidden Theatre. A story in images @ Museo Archeologico e Teatro Romano di Spoleto
Jul 21 2018 – Dec 31 2019 all-day
<!--:it-->MOSTRA FOTOGRAFICA | Il teatro nascosto. Una storia per immagini<!--:--><!--:en-->PHOTO EXHIBITION | The Hidden Theatre. A story in images<!--:--> @ Museo Archeologico e Teatro Romano di Spoleto | Spoleto | Umbria | Italia

The exhibition The Hidden Theatre. A story in images is a collection of unpublished photographs dating back to the years of the discovery of the Roman Theatre of Spoleto and its unearthing, from 1938 to 1960.

The exhibition, promoted by the Polo Museale dell’Umbria – Museo Archeologico e Teatro Romano di Spoleto, in collaboration with Astra onlus and the Archivio di Stato di Perugia, section of Spoleto, shows photographs coming from the Accademia Etrusca di Cortona and from the archive of the Museo Archeologico Nazionale dell’Umbria. The exhibition reveals unpublished aspects of the discovery of the Roman theatre and the transformation of the complex of S.Agata from a judicial prison (1867-1957) to a museum.

The history of the monastery of S. Agata – already known thanks to the research of G. Curti, S. Di Sante Coaccioli, S. Gubbiotti, resulting in the 2011 documented book “The Roman Theatre and the former monastery of S.Agata. Chronicle of its transformations” – is now enriched by photographs taken by the then inspector archaeologist Umberto Ciotti, who documented every step of the demolition and excavation work.

Polo Museale dell’Umbria
Piazza Giordano Bruno 10 – Perugia – tel. 075 5759612
National Archaeological Museum and Roman Theatre of Spoleto
Via Sant’Agata 18A – tel. 0743 223277

(Italiano) Inaugurazione mostra fotografica: Il teatro nascosto. Una storia per immagini @ Museo Archeologico e Teatro Romano di Spoleto
Jul 21 @ 16:30
<!--:it-->Inaugurazione mostra fotografica: Il teatro nascosto. Una storia per immagini <!--:--> @ Museo Archeologico e Teatro Romano di Spoleto | Spoleto | Umbria | Italia

Sorry, this entry is only available in Italiano.

History of the Complex of Sant’Agata – from monastery to prison @ ex Chiesa di Sant'Agata
Jul 21 @ 18:00

History of the Complex of Sant’Agata
from monastery to prison

conference

Former Church of Sant’Agata
Saturday 21 July h 18.00

Speech by Luigi Rambotti
Organization: Perugia State Archives – Spoleto Section

Event included in Le Quattro Stagioni – Spoleto d’Estate summer festival.

MEDITERRANEA @ Teatro Romano
Jul 21 @ 21:15
<!--:it-->MEDITERRANEA<!--:--><!--:en-->MEDITERRANEA<!--:--> @ Teatro Romano | Spoleto | Umbria | Italia

Saturday 21 July at 21.15, Teatro Romano, it’s the time of MEDITERRANEA, a choreographic circumnavigation through the music produced by Mediterranean cultures. The show was first staged in 1993 by Balletto di Toscana and receives immediate appraisal. In 2008 it is revisited for the Teatro alla Scala, marking Mauro Bigonzetti’s debut at the famous theatre.
Mediterranea is a Daniele Cipriani production.

Tickets: https://bit.ly/2lnIXsM

Choreography: Mauro Bigonzetti
Music: W.A. Mozart, G. Ligeti, G.P. da Palestrina and folk music from the Mediterranean
chosen by Paride Bonetta, Mauro Bigonzetti
Light: Carlo Cerri
Costumes: Roberto Tirelli
Assistant choreographer: Stefania di Cosmo
Production: Daniele Cipriani Entertainment

Dancers
UMBERTO DESANTIS, FRANCESCO MORO, VALENTINA CHIULLI, MARCO FAGIOLI, ELISA AQUILANI, VALERIO POLVERARI, ANDREA CALEFFI and DAVIDE PIETRONIRO
featuring the Corpo di Ballo della Daniele Cipriani Entertainment

Jul
22
Sun
Concerts in the Church of Sant’Agata @ ex Chiesa di Sant'Agata
Jul 22 @ 11:00
Jul
25
Wed
(Italiano) Stagione Teatrale Regionale 2018: I MIRACOLI DI DON PIERINO @ Arena verde attrezzato Baiano di Spoleto
Jul 25 @ 21:15

Sorry, this entry is only available in Italiano.

Jul
27
Fri
Sagra of Eel and Crayfish @ Beroide
Jul 27 – Aug 12 all-day

Fraz. Beroide, dal 27 luglio al 12 agosto 2018
Sagra of Eel and Crayfish
Music and dance shows, food stands, tavern in the castle, etc.

Organization: Ass.ne Pro Beroide – www.beroide.it

In Italy, a sagra is a local festival, very often dedicated to some specific local food.
Usually, the festival’s tavern opens for dinner and events such as folk music shows are scheduled in the evening.

Thematic visit to the exhibition “Capolavori del Trecento” @ Rocca Albornoziana - Museo Nazionale del Ducato
Jul 27 @ 18:30
<!--:it-->Mezz'ora dopo la chiusura - CAPOLAVORI DEL TRECENTO Il Maestro delle Palazze<!--:--><!--:en-->Thematic visit to the exhibition "Capolavori del Trecento" <!--:--> @ Rocca Albornoziana - Museo Nazionale del Ducato | Spoleto | Umbria | Italia

Mezz’ora dopo la chiusura, the event curated by Sistema Museo, dedicates a series of events to Capolavori del Trecento – Il cantiere di Giotto, Spoleto e l’Appennino, the great exhibition which is being held in 4 different Umbrian towns and features over 70 works from prestigious national and international collections.

The first meeting, in collaboration with the National Museum of the Duchy of Spoleto, is scheduled for Friday July 27 and will be focused on the Maestro delle Palazze, one of the many artists, often anonymous, who became interpreters of the deepest and truest soul of the Apennines.

Meet at 18.30 at Rocca Albornoz ticket counter
Admission fee: Guided tour – € 5.00
Reservation required by 18.00 on Friday July 27: news.spoletomusei@sistemamuseo.it – 0743.224952
The monument will close at 7.30 p.m.

Event curated by Sistema Museo

READY – Kataklò Athletic Dance Theatre @ Teatro Romano
Jul 27 @ 21:15
<!--:it-->READY - Kataklò Athletic Dance Theatre<!--:--><!--:en-->READY - Kataklò Athletic Dance Theatre<!--:--> @ Teatro Romano | Spoleto | Umbria | Italia

Friday 27 July at 21.15, Kataklò Athletic Dance Theatre brings on stage READY in the splendid Teatro Romano. The show is conceived by Giulia Staccioli who proposes spectacular choreographies from Eureka (2016), Puzzle (2012) and Play (2008), maintaining the original dynamic, athletic, poetic line that made Kataklò the most appreciated Italian athletic theatre company.

Tickets: https://bit.ly/2JXg0Tm

(Italiano) Stagione Teatrale Regionale 2018: C’ERA UNA VOLTA LA SMORFIA @ Arena verde attrezzato Baiano di Spoleto
Jul 27 @ 21:15

Sorry, this entry is only available in Italiano.

Jul
28
Sat
Tribute to Rudolf NUREYEV – INTERNATIONAL DANCE GALA @ Teatro Romano
Jul 28 @ 21:15
<!--:it-->Tributo a Rudolf NUREYEV - GALA INTERNAZIONALE DI DANZA<!--:--><!--:en-->Tribute to Rudolf NUREYEV - INTERNATIONAL DANCE GALA<!--:--> @ Teatro Romano | Spoleto | Umbria | Italia

Tribute to Rudolf NUREYEV
INTERNATIONAL DANCE GALA

curated by Daniele Cipriani
Twenty-five years past his passing and eighty years from his birth, étoiles and first dancers from the world’s major theatres convene in Spoleto

Saturday 28 July at 21,00 at the Roman Theatre, the Gran Gala Internazionale di Danza – Tribute to Rudolf Nureyev organized by Daniele Cipriani.
A journey through the extraordinary dancer’s most meaningful steps, featuring a rare shooting directed by Nureyev, entwined with refined multimedia projections by videoartist Massimiliano Siccardi.

Tickets: https://bit.ly/2MEJXW1

Rudolf Nureyev lives. He lives in the memories of those who saw him soaring up and floating in the air, in his intense performances that made him a true protagonist of classical dance.

He profoundly loved Italy and was twice at the Spoleto Festival, in 1964 and again in the 1980s. As all the world’s theatres pay tribute to the unforgettable dancer, Spoleto joins in the celebrations.

“Dance is my life. A predestination exists in me, a spirit that not all have. I must fulfill my destiny, mine’s a road with no return. It is my sentence, possibly, but my happiness too. If I’ll be asked when will I stop dancing, the answer will be: when I’ll stop living”. RUDOLF NUREYEV

Aug
3
Fri
(Italiano) Mezz’ora dopo la chiusura – UNA NOTTE AL CASTELLO @ Rocca Albornoz - Museo Nazionale del Ducato
Aug 3 @ 21:00
<!--:it-->Mezz'ora dopo la chiusura - UNA NOTTE AL CASTELLO<!--:--> @ Rocca Albornoz - Museo Nazionale del Ducato | Spoleto | Umbria | Italia

Sorry, this entry is only available in Italiano.

Aug
4
Sat
38° FERRAGOSTO SPOLETINO 2018 – Mid-August Events @ Spoleto
Aug 4 – Aug 24 all-day

38° FERRAGOSTO SPOLETINO 2018
Spoleto Mid-August events

Saturday 4 August
17:00 Pegasus Cinema
NATIONAL CINEMA PREMIERE
Perfect! Il Re del pugno
Documentary film on the world of Italian chessboxing
Galaxian Explosion” production
Direction and editing by Alessandro Mignacca
Assistant Director Alessandro Aquilani
In collaboration with Francesco Abondante.

A debate follows the screening
Free admission

Sunday 5 August
DISCOVERING TRADITIONS
Potatoes: dug up, cooked and eaten

10:00 Meeting at the junction of Torrecola, National Road towards Terni, to continue towards Acquaiura.
Arrival, potato harvesting – and you may also find chicory!
During the harvest bruschetta and bread rubbed with tomatoes will be offered
12:30 Lunch at La Luna Piena Restaurant in Montebibico
Menu: Starter – Strengozzi pasta with spicy tomato sauce – Gnocchi with goose sauce
Mountain roast – Peasant potatoes – Mixed salad – Dessert – Water – Wine – Coffee

INFO AND RESERVATIONS:
Tel. 0743/46484 – Cell. 331/8855493 – 349/3722424 E-mail: prospoleto@gmail.com
Admission fee: Children up to 5 years free / Children up to 10 years € 12,00 / Adults Members € 20,00 – Non-members € 22,00

Friday 10 August
WAITING FOR THE FALLING STARS

18.00 City walk with Dr. Caterina Sapori, Dr. Roberto Quirino and Dr. Irene Maturi.
“I love not Man the less, but Nature more”.
A ‘Rocca’ tour’ among poems, songs and chats about Nature.
With the participation of Caterina Sapori, Irene Maturi, Roberto Quirino, Stefano Chiampo,
Alessandro Preda and… many more!
Meeting at 18.00 in front of La Portella bar (Giro della Rocca)

20.30 Dinner under the Stars – Terrace of Il Panciolle Restaurant

INFO AND RESERVATIONS:
Tel. 0743/46484 – Cell. 331/8855493 – 349/3722424 E-mail: prospoleto@gmail.com
(maximum 80 seats on the terrace – additional places inside)
Participation fee: Trekking € 10.00
Member Dinner: €25.00 – Non Member Dinner: €27.00.
Trekking + Member dinner € 30,00 – Trekking + Non Member dinner € 33,00

Saturday 11 August
21.00 Piazza del Comune
DANCING UNDER THE STARS Music and dance

Entrance € 10,00

INFO AND RESERVATIONS:
Tel. 0743/46484 – Cell. 331/8855493 – 349/3722424 E-mail: prospoleto@gmail.com

Sunday 12 August
21.00 Piazza del Comune
EMOTIONS AND NOTES concert for Cristian
Free admission

Monday 13 August
21.00 Piazza del Comune
MAMMA LI TURCHI
Music from Southern Italy

Pizzica, tarantella, tammuriata

Mamma li Turchi was born in January 2013 in Umbria from the meeting of “immigrant” musicians, who have moved away from their lands, or who have found their ideal homeland in Southern Italy. It was born from an intimate need to keep alive within ourselves the sense of belonging, the fire of passion and our roots, because the deeper the roots go, the more it is possible to know what is different from us, making this experience an opportunity for growth. Mamma li Turchi is therefore always looking for new sounds, which start from philological study and then seek a dialogue with the sounds of other peoples. 
Entrance € 10,00

INFO AND RESERVATIONS:
Tel. 0743/46484 – Cell. 331/8855493 – 349/3722424 E-mail: prospoleto@gmail.com

Tuesday 14 August
–SHOW CANCELED DUE TO BAD WEATHER–
21.30 Piazza del Comune
COMEDY BY “LA TRAUSSA” THEATRE COMPANY
La puntura no…no…no…!!

Mirella marries Stefano to the joy of her stepmother Leonida who has looked after her with love since she was a child.
The honeymoon will be interrupted by an unexpected visit: the natural father of Mirella who is unaware of the wedding, will arrive with a young man, whom he wants to give his daughter in marriage.
What will the protagonists invent so as not to disappoint the rich Father Annibale?
Funny and colorful situations, brilliant dialogues and misunderstandings will be the focus of this comedy.
Entrance € 10,00

INFO AND RESERVATIONS:
Tel. 0743/46484 – Cell. 331/8855493 – 349/3722424 E-mail: prospoleto@gmail.com

Wednesday 15 August
Piazza del Mercato

19.00 Apache Concert
It all began under the Arch of Drusus, it was the 60s… and it continues today with the same enthusiasm!
Giampaolo Mariani Zucchi – Giampaolo Loreti – Ettore Bartoccioni – Vittorio Marotta – Pino Belmondo

22.00 TRADITIONAL TOMBOLA AND MID-AUGUST LOTTERY
Traditional tombola raffle with ancient board

Tombola ticket cost: € 2.50

AUGUST 2018 TOMBOLA PRIZES
1st Tombola € 1.000,00 Quaterna € 200,00
2nd Tombola € 300,00 Cinquina € 300,00

MID-AUGUST LOTTERY
10 PRIZES

Friday 24 August
18.00 Basilica San Ponziano
THE SUN OF SICILY IN CONCERT
ORGAN CONCERT performed by M° Angelo Silvio Rosati and M° Roberto Petralia
After the concert a buffet will follow in the panoramic garden of the Basilica of San Ponziano, offered by Conspoleto.

Entrance € 10,00 – Single place
The proceeds will be donated to charity.

INFO AND RESERVATIONS:
Tel. Cell. 331/8855493 – 349/3722424 – 347/7868704 E-mail: prospoleto@gmail.com

Pro Loco di Spoleto “A. Busetti” Association
Via Minervio, 2 – Spoleto
Tel 0743 46484 cell. 331 8855493
prospoleto@gmail.comwww.prolocospoleto.it

PERFECT! IL RE DEL PUGNO – National Cinema Premiere @ Cinéma Sala Pegasus
Aug 4 @ 17:00

Saturday 4 August
17:00 Pegasus Cinema
NATIONAL CINEMA PREMIERE
Perfect! Il Re del pugno

Documentary film on the world of Italian chessboxing
Galaxian Explosion” production
Direction and editing by Alessandro Mignacca
Assistant Director Alessandro Aquilani
In collaboration with Francesco Abondante.

A debate follows the screening
Free admission

Associazione pro Loco di Spoleto “A. Busetti”
Via Minervio, 2 – Spoleto
Tel 0743 46484 cell. 331 8855493
prospoleto@gmail.comwww.prolocospoleto.it

Aug
5
Sun
Thematic guided tours and city tours – August 2018 @ Spoleto
Aug 5 – Aug 26 all-day

Warning: The thematic guided tour A noble walk scheduled for Wednesday 15 August at 3.30 pm at Palazzo Collicola Arti Visive has been rescheduled to 11.30 am (Wednesday 15 August).
Meeting place of the participants with the guide: Palazzo Collicola Arti Visive – ticket office.

DISCOVERING TRADITIONS Potatoes: dug up, cooked and eaten @ Acquaiura
Aug 5 @ 10:00

Sunday 5 August
DISCOVERING TRADITIONS
Potatoes: dug up, cooked and eaten

10:00 Meeting at the junction of Torrecola, National Road towards Terni, to continue towards Acquaiura.
Arrival, potato harvesting – and you may also find chicory!
During the harvest bruschetta and bread rubbed with tomatoes will be offered

12:30 Lunch at La Luna Piena Restaurant in Montebibico
Menu: Starter – Strengozzi pasta with spicy tomato sauce – Gnocchi with goose sauce
Mountain roast – Peasant potatoes – Mixed salad – Dessert – Water – Wine – Coffee

INFO AND RESERVATIONS:
Tel. 0743/46484 – Cell. 331/8855493 – 349/3722424 E-mail: prospoleto@gmail.com
Admission fee: Children up to 5 years free / Children up to 10 years € 12,00 / Adults Members € 20,00 – Non-members € 22,00

Associazione pro Loco di Spoleto “A. Busetti”
Via Minervio, 2 – Spoleto
Tel 0743 46484 cell. 331 8855493
prospoleto@gmail.comwww.prolocospoleto.it

Aug
8
Wed
(Italiano) Stagione Teatrale Regionale 2018: LA PUNTURA NO…NO…NO… @ Arena verde attrezzato Baiano di Spoleto
Aug 8 @ 21:15

Sorry, this entry is only available in Italiano.

Aug
10
Fri
72nd Teatro Lirico Sperimentale’s Opera Season – EINE KLEINE MUSIK 2018 @ Teatro Caio Melisso
Aug 10 @ 18:00
<!--:it-->72ma Stagione Lirica Sperimentale - EINE KLEINE MUSIK 2018 <!--:--><!--:en-->72nd Teatro Lirico Sperimentale's Opera Season - EINE KLEINE MUSIK 2018<!--:--> @ Teatro Caio Melisso | Spoleto | Umbria | Italia

Double event– on Friday 10th and Saturday 11th August at the Teatro Caio Melisso – with the Teatro Lirico Sperimentale and EINE KLEINE MUSIK 2018: a musical tribute to LA FRANCE with pieces by Erik Satie, Gabriel Fauré and Francis Poulenc. Afterwards, Jacques Offenbach’s BA-TA-CLAN, based on Ludovic Halévy’s libretto.
Direction and staging by Giorgio Bongiovanni and Lisa Nava with the Soloists of Spoleto’s Teatro Lirico Sperimentale “A. Belli”.

Info:
Teatro Lirico Sperimentale di Spoleto “A. Belli”
Piazza Garibaldi – Ex Caserma Minervio
Tel. +39.0743.220440 – +39.0743.221645
E-mail: teatrolirico@tls-belli.it
Internet: www.tls-belli.it

Event included in Le Quattro Stagioni – Spoleto d’Estate.

WAITING FOR THE FALLING STARS @ Giro della Rocca
Aug 10 @ 18:00

Friday 10 August
WAITING FOR THE FALLING STARS

18.00 City walk with Dr. Caterina Sapori, Dr. Roberto Quirino and Dr. Irene Maturi.
“I love not Man the less, but Nature more”.
A ‘Rocca’ tour’ among poems, songs and chats about Nature.
With the participation of Caterina Sapori, Irene Maturi, Roberto Quirino, Stefano Chiampo,
Alessandro Preda and… many more!
Meeting at 18.00 in front of La Portella bar (Giro della Rocca)

20.30 Dinner under the Stars – Terrace of Il Panciolle Restaurant

INFO AND RESERVATIONS:
Tel. 0743/46484 – Cell. 331/8855493 – 349/3722424 E-mail: prospoleto@gmail.com
(maximum 80 seats on the terrace – additional places inside)
Participation fee: Trekking € 10.00
Member Dinner: €25.00 – Non Member Dinner: €27.00.
Trekking + Member dinner € 30,00 – Trekking + Non Member dinner € 33,00

Associazione pro Loco di Spoleto “A. Busetti”
Via Minervio, 2 – Spoleto
Tel 0743 46484 cell. 331 8855493
prospoleto@gmail.comwww.prolocospoleto.it

(Italiano) Mezz’ora dopo la chiusura – SPOLETIUM: edifici pubblici, privati e di culto @ Casa Romana
Aug 10 @ 19:30
<!--:it-->Mezz'ora dopo la chiusura - SPOLETIUM: edifici pubblici, privati e di culto<!--:--> @ Casa Romana | Spoleto | Umbria | Italia

Sorry, this entry is only available in Italiano.

(Italiano) Stagione Teatrale Regionale 2018: FANTASTICO! @ Arena verde attrezzato Baiano di Spoleto
Aug 10 @ 21:15

Sorry, this entry is only available in Italiano.

Aug
11
Sat
SPOLETO CARD 2008-2018 – Free guided tours to celebrate the 10th anniversary @ Spoleto
Aug 11 all-day
<!--:it-->SPOLETO CARD 2008-2018 - Il programma delle visite guidate per festeggiare i 10 anni<!--:--><!--:en-->SPOLETO CARD 2008-2018 - Free guided tours to celebrate the 10th anniversary<!--:--> @ Spoleto | Spoleto | Umbria | Italia

To celebrate the tenth anniversary of Spoleto Card combined ticket, Sistema Museo proposes an extraordinary programme of free guided tours reserved to Spoleto Card holders.

The appointments are scheduled on Saturday 11, 18 and 25 August and Tuesday 14:

1. Rocca Albornoz – National Museum of the Duchy – Spoleto, 11.30 am
Capolavori del Trecento / Masterpieces of the fourteenth century
Guided tour of the exhibition

2. Palazzo Collicola Arti Visive – Carandente Museum, from 4.30 p.m. to 6.00 p.m.
The joyful life of Alexander Calder
Documentary screening

3. Church of Saints John and Paul, 6.00 p.m.
Cycle of frescoes and martyrdom by Thomas Becket
Guided tour

For guided tours reservation is required.

For information and reservations:
Sistema Museo
Rocca Albornoz 0743.224952 I Palazzo Collicola 0743.46434 museoducatospoleto@sistemamuseo.it

Dawn Concerts – Umbria Ensemble @ Rocca Albornoziana
Aug 11 @ 06:15

In the frame of Le Quattro Stagioni – Spoleto d’Estate, the chamber music group Umbria Ensemble proposes two Concerti dell’alba at the Rocca Albornoziana.

The first one will take place on Saturday 11 August at 6.10, a tribute to Leonard Bernstein on the occasion of the hundredth anniversary of the great composer’s birth.

The second one, Da Vivaldi ai Beatles, on Saturday 25 August at 6.25, will be a musical journey from Vivaldi to Boccherini, passing through some Beatles’ repertoire, reinterpreted by guitarist Leo Brouwer.

72nd Teatro Lirico Sperimentale’s Opera Season – EINE KLEINE MUSIK 2018 @ Teatro Caio Melisso
Aug 11 @ 18:00
<!--:it-->72ma Stagione Lirica Sperimentale - EINE KLEINE MUSIK 2018 <!--:--><!--:en-->72nd Teatro Lirico Sperimentale's Opera Season - EINE KLEINE MUSIK 2018<!--:--> @ Teatro Caio Melisso | Spoleto | Umbria | Italia

Double event– on Friday 10th and Saturday 11th August at the Teatro Caio Melisso – with the Teatro Lirico Sperimentale and EINE KLEINE MUSIK 2018: a musical tribute to LA FRANCE with pieces by Erik Satie, Gabriel Fauré and Francis Poulenc. Afterwards, Jacques Offenbach’s BA-TA-CLAN, based on Ludovic Halévy’s libretto.
Direction and staging by Giorgio Bongiovanni and Lisa Nava with the Soloists of Spoleto’s Teatro Lirico Sperimentale “A. Belli”.

Info:
Teatro Lirico Sperimentale di Spoleto “A. Belli”
Piazza Garibaldi – Ex Caserma Minervio
Tel. +39.0743.220440 – +39.0743.221645
E-mail: teatrolirico@tls-belli.it
Internet: www.tls-belli.it

Event included in Le Quattro Stagioni – Spoleto d’Estate.

DANCING UNDER THE STARS @ Piazza del Comune
Aug 11 @ 21:00

Saturday 11 August
21.00 Piazza del Comune
DANCING UNDER THE STARS
dance show with Lorenzo Lupi from the Vienna State Opera Academy and ContemporaneaMENTE Gruppo Danza

Entrance € 10,00

INFO AND RESERVATIONS:
Tel. 0743/46484 – Cell. 331/8855493 – 349/3722424 E-mail: prospoleto@gmail.com

Associazione pro Loco di Spoleto “A. Busetti”
Via Minervio, 2 – Spoleto
Tel 0743 46484 cell. 331 8855493
prospoleto@gmail.comwww.prolocospoleto.it

Aug
12
Sun
EMOTIONS AND NOTES concert for Cristian @ Piazza del Comune
Aug 12 @ 21:00

Sunday 12 August
21.00 Piazza del Comune
EMOTIONS AND NOTES
concert for Cristian
an evening of music and much more, with many friends of Cristian

Free admission

Associazione pro Loco di Spoleto “A. Busetti”
Via Minervio, 2 – Spoleto
Tel 0743 46484 cell. 331 8855493
prospoleto@gmail.comwww.prolocospoleto.it

“Visioni d’autore” with filmmaker Renzo Carbonera @ Cinéma Sala Pegasus
Aug 12 @ 21:30
<!--:it-->Visioni d'Autore - Presentazione film RESINA con il regista Renzo Carbonera<!--:--><!--:en-->"Visioni d'autore" with filmmaker Renzo Carbonera<!--:--> @ Cinéma Sala Pegasus | Spoleto | Umbria | Italia

Director Renzo Carbonera will present his movie RESINA on Sunday, August 12 – h. 21.30 at Cinéma Sala Pegasus.

THE MOVIE
A choir of men. A woman director. A family and a small community that need to regain the sense of unity to face the challenge of tomorrow.
The young cellist Maria is disappointed by the ruthless world of music. She returns to the mountain village of her origins, a small isolated enclave where an archaic language is still spoken: the Cimbrian. Here she finds a complex family situation and a small community struggling with the first effects of climate change. Almost by chance, or perhaps because it is impossible not to be in the only bar in the square, Maria comes into contact with the glorious male polyphonic choir to which her grandfather belonged.

Aug
13
Mon
18th Village Feast @ Protte
Aug 13 – Aug 19 all-day

Protte, August 13-19, 2018
18th Village Feast
Music and dance shows, food stands, folk games.

Organization: Proloco Protte
Info: Facebook page Proloco Protte

MAMMA LI TURCHI Music from Southern Italy @ Piazza del Comune
Aug 13 @ 21:00

Monday 13 August
21.00 Piazza del Comune
MAMMA LI TURCHI
Music from Southern Italy

Pizzica, tarantella, tammuriata

Mamma li Turchi was born in January 2013 in Umbria from the meeting of “immigrant” musicians, who have moved away from their lands, or who have found their ideal homeland in Southern Italy. It was born from an intimate need to keep alive within ourselves the sense of belonging, the fire of passion and our roots, because the deeper the roots go, the more it is possible to know what is different from us, making this experience an opportunity for growth. Mamma li Turchi is therefore always looking for new sounds, which start from philological study and then seek a dialogue with the sounds of other peoples.

Entrance fee € 10,00

INFO AND RESERVATIONS:
Tel. 0743/46484 – Cell. 331/8855493 – 349/3722424 E-mail: prospoleto@gmail.com

Associazione pro Loco di Spoleto “A. Busetti”
Via Minervio, 2 – Spoleto
Tel 0743 46484 cell. 331 8855493
prospoleto@gmail.comwww.prolocospoleto.it

Aug
14
Tue
SPOLETO CARD 2008-2018 – Free guided tours to celebrate the 10th anniversary @ Spoleto
Aug 14 all-day
<!--:it-->SPOLETO CARD 2008-2018 - Il programma delle visite guidate per festeggiare i 10 anni<!--:--><!--:en-->SPOLETO CARD 2008-2018 - Free guided tours to celebrate the 10th anniversary<!--:--> @ Spoleto | Spoleto | Umbria | Italia

To celebrate the tenth anniversary of Spoleto Card combined ticket, Sistema Museo proposes an extraordinary programme of free guided tours reserved to Spoleto Card holders.

The appointments are scheduled on Saturday 11, 18 and 25 August and Tuesday 14:

1. Rocca Albornoz – National Museum of the Duchy – Spoleto, 11.30 am
Capolavori del Trecento / Masterpieces of the fourteenth century
Guided tour of the exhibition

2. Palazzo Collicola Arti Visive – Carandente Museum, from 4.30 p.m. to 6.00 p.m.
The joyful life of Alexander Calder
Documentary screening

3. Church of Saints John and Paul, 6.00 p.m.
Cycle of frescoes and martyrdom by Thomas Becket
Guided tour

For guided tours reservation is required.

For information and reservations:
Sistema Museo
Rocca Albornoz 0743.224952 I Palazzo Collicola 0743.46434 museoducatospoleto@sistemamuseo.it

(Italiano) Solennità dell’Assunta @ Spoleto
Aug 14 @ 21:00 – Aug 15 @ 19:00

Sorry, this entry is only available in Italiano.

–show canceled due to bad weather– COMEDY BY “LA TRAUSSA” THEATRE COMPANY La puntura no…no…no…!! @ Piazza del Comune
Aug 14 @ 21:30

Tuesday 14 August
21.30 Piazza del Comune
COMEDY BY “LA TRAUSSA” THEATRE COMPANY
La puntura no…no…no…!!

Mirella marries Stefano to the joy of her stepmother Leonida who has looked after her with love since she was a child.
The honeymoon will be interrupted by an unexpected visit: the natural father of Mirella who is unaware of the wedding, will arrive with a young man, whom he wants to give his daughter in marriage.
What will the protagonists invent so as not to disappoint the rich Father Annibale?
Funny and colorful situations, brilliant dialogues and misunderstandings will be the focus of this comedy.

Entrance fee € 10,00

INFO AND RESERVATIONS:
Tel. 0743/46484 – Cell. 331/8855493 – 349/3722424 E-mail: prospoleto@gmail.com

Associazione pro Loco di Spoleto “A. Busetti”
Via Minervio, 2 – Spoleto
Tel 0743 46484 cell. 331 8855493
prospoleto@gmail.comwww.prolocospoleto.it

Aug
15
Wed
Incontri Musicali 2018 – Musical Encounters @ Rocca Albornoz - Sala Antonini
Aug 15 @ 18:00

INCONTRI MUSICALI 2018
Organized by Spoleto Studi d’Arte

Concerts programme:

Rocca Albornoz, Sala Antonini | 15 august h 18.00
music by Haydn, Delibes, Lutoslawski, Mozart

Rocca Albornoz | 17 august h 18.00
music by Britten, Strauss, Rossini

Rocca Albornoz, Sala Antonini | 19 august h 18.00
music by Chausson, Beethoven, Bunch

Rocca Albornoz, Sala Antonini | 24 august h 18.00
music by Reich, Barber, Ligeti, CPE Bach

Rocca Albornoz, Sala Antonini | 26 august h 18.00
music by Monteverdi, Allegri, Stefani, Wennakowski, Brahms

Rocca Albornoz, Sala Antonini | 31 august h 18.00
music by Zante, Kreisler, Paganini, Duruflè, Vivaldi

Rocca Albornoz, Sala Antonini | 02 settembre h 18.00
music by Roussel, Martinu, Stravinsky, Schumann

Two short concerts for families with children will be held at the former Church of Sant’Agata on August 23 and 30 at 21.30.

‘APACHE’ Concert, TOMBOLA and MID-AUGUST LOTTERY @ Piazza del Mercato
Aug 15 @ 19:00

Wednesday 15 August
Piazza del Mercato

19.00 ‘APACHE’ Concert
It all began under the Arch of Drusus, it was the 60s… and it continues today with the same enthusiasm!
Giampaolo Mariani Zucchi – Giampaolo Loreti – Ettore Bartoccioni – Vittorio Marotta – Pino Belmondo

22.00 TRADITIONAL TOMBOLA AND MID-AUGUST LOTTERY
Traditional tombola raffle with ancient board

Tombola ticket cost: € 2.50

AUGUST 2018 TOMBOLA PRIZES
1st Tombola € 1.000,00 Quaterna € 200,00
2nd Tombola € 300,00 Cinquina € 300,00

MID-AUGUST LOTTERY
10 PRIZES

Associazione pro Loco di Spoleto “A. Busetti”
Via Minervio, 2 – Spoleto
Tel 0743 46484 cell. 331 8855493
prospoleto@gmail.comwww.prolocospoleto.it

Aug
17
Fri
Incontri Musicali 2018 – Musical Encounters @ Rocca Albornoz - Sala Antonini
Aug 17 @ 18:00

INCONTRI MUSICALI 2018
Organized by Spoleto Studi d’Arte

Concerts programme:

Rocca Albornoz, Sala Antonini | 15 august h 18.00
music by Haydn, Delibes, Lutoslawski, Mozart

Rocca Albornoz | 17 august h 18.00
music by Britten, Strauss, Rossini

Rocca Albornoz, Sala Antonini | 19 august h 18.00
music by Chausson, Beethoven, Bunch

Rocca Albornoz, Sala Antonini | 24 august h 18.00
music by Reich, Barber, Ligeti, CPE Bach

Rocca Albornoz, Sala Antonini | 26 august h 18.00
music by Monteverdi, Allegri, Stefani, Wennakowski, Brahms

Rocca Albornoz, Sala Antonini | 31 august h 18.00
music by Zante, Kreisler, Paganini, Duruflè, Vivaldi

Rocca Albornoz, Sala Antonini | 02 settembre h 18.00
music by Roussel, Martinu, Stravinsky, Schumann

Two short concerts for families with children will be held at the former Church of Sant’Agata on August 23 and 30 at 21.30.

(Italiano) La Babele del Maggio d’Estate – Letture alla Terrazza Frau @ Terrazza Frau
Aug 17 @ 18:00

Sorry, this entry is only available in Italiano.

Mezz’ora dopo la chiusura – CAPOLAVORI DEL TRECENTO Il maestro di Sant’Alò @ Rocca Albornoziana - Museo Nazionale del Ducato
Aug 17 @ 21:00
<!--:it-->Mezz'ora dopo la chiusura - CAPOLAVORI DEL TRECENTO Il maestro di Sant’Alò<!--:--><!--:en-->Mezz'ora dopo la chiusura - CAPOLAVORI DEL TRECENTO Il maestro di Sant’Alò<!--:--> @ Rocca Albornoziana - Museo Nazionale del Ducato | Spoleto | Umbria | Italia

Mezz’ora dopo la chiusura, the event curated by Sistema Museo, dedicates a series of events to Capolavori del Trecento – Il cantiere di Giotto, Spoleto e l’Appennino, the great exhibition which is being held in 4 different Umbrian towns and features over 70 works from prestigious national and international collections.

The second meeting in collaboration with the National Museum of the Duchy of Spoleto is focused on the Maestro di Sant’Alò, another of the many artists, often anonymous, who became interpreters of the deepest and truest soul of the Apennines.

Meet at 21.00 at Rocca Albornoz ticket counter

Admission fee: Guided tour – € 5.00
Reservation required by 19.00 on Friday August 17: news.spoletomusei@sistemamuseo.it – 0743.224952

The monument will close at 22.30

An event by Sistema Museo

Aug
18
Sat
SPOLETO CARD 2008-2018 – Free guided tours to celebrate the 10th anniversary @ Spoleto
Aug 18 all-day
<!--:it-->SPOLETO CARD 2008-2018 - Il programma delle visite guidate per festeggiare i 10 anni<!--:--><!--:en-->SPOLETO CARD 2008-2018 - Free guided tours to celebrate the 10th anniversary<!--:--> @ Spoleto | Spoleto | Umbria | Italia

To celebrate the tenth anniversary of Spoleto Card combined ticket, Sistema Museo proposes an extraordinary programme of free guided tours reserved to Spoleto Card holders.

The appointments are scheduled on Saturday 11, 18 and 25 August and Tuesday 14:

1. Rocca Albornoz – National Museum of the Duchy – Spoleto, 11.30 am
Capolavori del Trecento / Masterpieces of the fourteenth century
Guided tour of the exhibition

2. Palazzo Collicola Arti Visive – Carandente Museum, from 4.30 p.m. to 6.00 p.m.
The joyful life of Alexander Calder
Documentary screening

3. Church of Saints John and Paul, 6.00 p.m.
Cycle of frescoes and martyrdom by Thomas Becket
Guided tour

For guided tours reservation is required.

For information and reservations:
Sistema Museo
Rocca Albornoz 0743.224952 I Palazzo Collicola 0743.46434 museoducatospoleto@sistemamuseo.it

THE MONEY GOD (Thou shalt have no other gods before me) and other readings – featuring David Riondino @ Complesso Monumentale di San Nicolò
Aug 18 @ 21:30

Saturday 18 August at the Complesso Monumentale di San Nicolò (at 21.30) David Riondino will be the protagonist of IL DIO DENARO (Non avrai altro Dio all’infuori di me) e altre letture (Italian for THE MONEY GOD – Thou shalt have no other gods before me – and other readings).

It is a special event included in the Libro d’Ingresso series, that marks a further step in the artistic collaboration between David Riondino and musician Fabrizio De Rossi Re.

Aug
19
Sun
Incontri Musicali 2018 – Musical Encounters @ Rocca Albornoz - Sala Antonini
Aug 19 @ 18:00

INCONTRI MUSICALI 2018
Organized by Spoleto Studi d’Arte

Concerts programme:

Rocca Albornoz, Sala Antonini | 15 august h 18.00
music by Haydn, Delibes, Lutoslawski, Mozart

Rocca Albornoz | 17 august h 18.00
music by Britten, Strauss, Rossini

Rocca Albornoz, Sala Antonini | 19 august h 18.00
music by Chausson, Beethoven, Bunch

Rocca Albornoz, Sala Antonini | 24 august h 18.00
music by Reich, Barber, Ligeti, CPE Bach

Rocca Albornoz, Sala Antonini | 26 august h 18.00
music by Monteverdi, Allegri, Stefani, Wennakowski, Brahms

Rocca Albornoz, Sala Antonini | 31 august h 18.00
music by Zante, Kreisler, Paganini, Duruflè, Vivaldi

Rocca Albornoz, Sala Antonini | 02 settembre h 18.00
music by Roussel, Martinu, Stravinsky, Schumann

Two short concerts for families with children will be held at the former Church of Sant’Agata on August 23 and 30 at 21.30.

Aug
22
Wed
(Italiano) La Babele del Maggio d’Estate – Letture alla Terrazza Frau @ Terrazza Frau
Aug 22 @ 18:00

Sorry, this entry is only available in Italiano.

Aug
23
Thu
Notes and Letters, Known Letters – Words, Voices, Belcanto and Music @ Monteluco
Aug 23 @ 18:00
<!--:it-->Note Lettere - parole, voci, bel canto e musica<!--:--><!--:en-->Notes and Letters, Known Letters - Words, Voices, Belcanto and Music<!--:--> @ Monteluco | Monteluco | Umbria | Italia

NOTES AND LETTERS, KNOWN LETTERS
Words, Voices, Belcanto and Music

recitals curated by ‘G. Carducci’ and ‘G. Carandente’ libraries and Teatro Lirico Sperimentale
‘A. Belli’

Reader: Italian actress Maria Rosaria Omaggio
in collaboration with Andrea Tomasini
with singers from the Teatro Lirico Sperimentale di Spoleto “A. Belli”
Maria Chiara Grilli at the piano

23 august h 18.00 Monteluco, small field
The magic flute

29 august h 21.00 ‘Le Casette’ district – Piazza Donatori del Sangue
Duchesses and Queens

31 august h 21.00 Anfiteatro Centro Civico di San Nicolò
Don Giovanni

Event included in Le Quattro Stagioni – Spoleto d’Estate summer festival.

10 Km of Music @ Complesso Monumentale di San Nicolò
Aug 23 @ 21:30

10 KM OF MUSIC
Monumental Complex of San Nicolò
Thursday 23 august h 21.30

Concert with music from R. Galliano to E. Morricone and R. Molinelli
performed by Trio di Spoleto Gabriele Francioli, Gianni Scarabottini, Marco Marino

Free entrance

Event included in Le Quattro Stagioni – Spoleto d’Estate summer festival.

Concerts at former Church of Sant’Agata @ ex Chiesa Sant'Agata
Aug 23 @ 21:30

Concerts at former Church of Sant’Agata
Organized by Spoleto Studi d’Arte

short concerts for families with children

Thursday 23 August h 21.30
Thursday 30 August h 21.30

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