from Saturday 16 December
Opening h 14.30 – Downtown Spoleto
Collicola onthewall presents
Curated by Gianluca Marziani
SCHERMI URBANI is a Christmas event of public art, strongly wished for by the City administration which entrusted director of Palazzo Collicola Visual Arts Gianluca Marziani with its artistic curatorship.
The event involves some twenty sites in downtown Spoleto, including two former newsstands (Piazza Collicola, Piazza della Libertà), Palazzetto Ancaiani’s six displays (Piazza della Libertà) and some further fifteen dispays scattered across the city centre (Corso Mazzini, Via del Mercato, Via Salara Vecchia, via Minervio): the locations will be coated with great images of contemporary art, created by five artists who already collaborate with Palazzo Collicola Visual Arts.
“After last summer’s performance by street artist Ob Queberry in Piazza del Mercato – said Head of Culture and Tourism Camilla Laureti and Head of Town Planning Antonio Cappelletti – for the Christmas period we wanted the displays of closed shops to become the base for artistic interventions. It is a way to have the city centre live again and to try and envision a different future for this part of the city. We thank the shop owners who accepted to be featured, director Gianluca Marziani and the artists who joined in.”
The Palazzo Collicola Visual Arts’ temporary exhibition’s finissage will take place on Saturday 17 March at 12.00.
Excerpta by Enrico Corte and Andrea Nurcis, and Viaggiatori sulla Flaminia X edition.
From 12.00 to 14.00 the exhibition’s will offer free admission.
On the last day, Sunday 18 March, the temporary exhibitions will only be open in the morning, 10.30 to 13.00.
Palazzo Collicola Arti Visive, from 27 October 2018 to 24 February 2019
Toru Hamada and Angelo Dozio
Opening: Saturday, October 27 at 12:00
TORU HAMADA – Anthological
The exhibition is curated by Gianluca Marziani and Italo Bergantini, and organized in collaboration with Romberg Contemporanea. After the placement in June, during the Festival dei Due Mondi, of one of his sculptures in Carrara marble in front of the Teatro Nuovo, today comes a large exhibition that tells us about his poetic and inspired painting … The life of Toru Hamada resembles the processing cycle of his art. First of all, one feels the atavistic bond with Japan, ascribable to a state of being that favours atmospheric silence, the firmness of the gaze, the discipline between body and spirit. At the same time, one feels the second homeland in Europe, first in Pietrasanta and then in the French countryside of Saint-Lubin-de-la-Haye, two places of solid culture that have welcomed both the man and the artist. Asia and Europe, two continents that today sum up in this Umbrian experience, in the heart of a Spoleto that has always conceived harmony between distant worlds.
ANGELO DOZIO – The discipline of constant doubt
Palazzo Collicola Arti Visive’s historical investigation continues among Italian artists who deserve a more exhaustive evaluation of their work over ten years. After Gianfranco Chiavacci, Gastone Biggi, Salvatore Emblema and Giuseppe Biasio, it is now the turn of Angelo Dozio with an anthological exhibition set up between the white rooms of the Piano Mostre and the noble furnishings of the Piano Nobile.
The exhibition is curated by Gianluca Marziani: “Reinterpreting the cycles of a long career, Angelo Dozio highlights a consistent value in the theme of transcendence. Technological intuition, the link with town planning and architecture, the implicit presence of sound, the clairvoyance of digital language are present, but in the end there’s a metaphysical suspension that emerges and surpasses the rest, an iconographic system that returns to the lines of the sacred cross, the curves of the Greek and Roman capitals, to the Florentine two-tone marble, to the plan of churches and basilicas, to the design of ideal cities… Dozio’s geometry goes beyond history and climbs into the values of the Absolute, where only painting can get, where design incorporates morality, where Beauty thinks beyond worldly contingencies.”
Friday, March 29 at 21:00 | Cinéma Sala Pegasus
The director and journalist Stefano Liberti meets the audience of Spoleto for the presentation of the documentary SOYALISM.
The evening is a Visioni d’Autore special event, in collaboration with Coworking Spoleto
In an increasingly overpopulated world, in the grip of climate change, control of food production has become a huge business for a handful of a few giant companies. Following the pork production chain, from China to Brazil via the United States and Mozambique, the documentary describes the enormous movement of power concentration in the hands of these companies, which is taking hundreds of thousands of small producers out of business and permanently transforming entire landscapes. From intensive mega-breeding in China to the Amazon rainforest threatened by soybean crops developed to feed animals confined to sheds on the other side of the world, this process is undermining the social and environmental balances of the planet.
The film had its world premiere on November 18, 2018 at the International documentary film festival in Amsterdam.
Stefano Liberti is an Italian journalist and director. He directed the documentary “L’inferno dei bimbi stregoni” The hell of witch children, winner of L’Anello Debole award in 2010. He wrote “I signori del cibo. Viaggio nell’industria alimentare che sta distruggendo il pianeta” The Lords of food. A journey into the food industry that is destroying the planet (Minimum fax 2016).
Visioni d’Autore is organized by the City of Spoleto, MAIA Cultural Association and Cinéma Sala Pegasus.